Fauzia Rafique gets Ali Arshad Mir Award for novella ‘Keerru’

Amjad Salim Minhas, the Publisher of ‘Keerru’, received
the award from Farooq Nadeem in Lahore

Fauzia Rafique’s novella ‘Keerru’
(Sanjh Publications, Lahore 2019)
has received Ali Arshad Mir Award 2020
for the best in Punjabi Literature (prose).
Presented at the 12th Mir Punjabi Mela
organized by Professor Ali Arshad Mir Foundation
and Punjab Arts Council
at Lahore’s Open air Theatre
on December 26-27, 2020.

When i saw Hassan Junaid Arshad’s Facebook message informing me that ‘Keerru‘ has won Ali Arshad Mir Award, i was amazed because it is a tough book to recommend.* Anyone can enjoy reading ‘Keerru’ but in order to recommend it the readers/jurors must be free of prejudices related to not just class, caste and patriarchy but also of religion and sexuality. I know that this is a tall order, but ‘Keerru’ aka the Little Big Book, does it effortlessly in just over a hundred pages. My compliments to the decision makers of this award for choosing it.

This is the complete list of award winners. Congratulations to my peers for excellence in each area.
Fauzia Rafique (Literature, prose)
Dr. Saeed Bhutta (Research)
Hameed Razi (Translation)
Asim Padhiar (Poetry, nazm)
Zafar Awan (Poetry, ghazal)
Abdul Karim Qudsi (Children, poetry)
Dr. Fazeelat Bano (Children, prose)
Mahboob Sarmad (Faith-based, poetry)
Aleem Shakeel was posthumously awarded Ali Arshad Mir Service Award for his contributions to Punjabi literature.

My thanks to jurors, organizers and participants of the 12th Mir Punjabi Mela 2020.

It is delightful that at the end of 2019, both my hometowns, Surrey and Lahore, honored me by recognizing my work; earlier, I had received the City of Surrey’s Arts and Heritage Literary Arts Award.

This is a hopeful beginning for 2021. Happy New Year to us all!

*That is also the reason why I value the reviews of ‘Keerru’ by Qaisar Abbas, Ramsha Ashraf, and Sara Kazmi. Thank you.

Fauzia Rafique
gandholi.wordpress.com
Author of Skeena, The Adventures of SahebaN: Biography of a Relentless Warrior, and Holier Than Life
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Punjabi Monthly magazine PANCHAM becomes a Quarterly publication


Quarterly Pancham, Jan-Feb-March 2020
Eds. Faiza Raa’na & Maqsood Saqib

Lahore’s longstanding literary Punjabi magazine, Pancham, makes a smart move to become a quarterly after a prolonged struggle to be a self-reliant monthly publication. This may allow for a larger selection and even richer literary content.

Pancham publishes poetry, fiction, literary criticism and non fiction. Edited and published by renowned authors Faiza Raa’na and Maqsood Saqib, it has been recognized as being the best literary Punjabi magazine in both the East and the West Punjab.

Published in the Shahmukhi script since 1998, Pancham is a continuation of Maan Boli, a magazine that was brought out from Lahore by some of the same team leaders and members that had continued publishing from 1986 to 1997. For more, connect with the Pancham community on Facebook:
Pancham Sulaikh SaNg (Punjabi Literary Group)

Yearly Subscriptions
Pakistan RS1000
India RS1000
International US$20

To subscribe, contact Maqsood Saqib at
+92 306 1679936
suchet2001@yahoo.com
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Uddari Weblog is published from
the unceded Coast Salish territories of
the Semiahmoo, Katzie, Kwikwetlem, Kwantlen,
Qayqayt, Tsawwassen, Musqueam,
Squamish and Tsleil-Waututh First Nations.

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Gurmukhi edition of Fauzia Rafique’s new novel ‘KEERRU’ now available

B&W photo by Danyal Rasheed, inset painting by Shahid Mirza
cover design by Mariam Zohra d.

From the Author of Skeena- a ‘little big’ book

ebook
ISBN 9780463342541

Available Everywhere
USA & the World: US$4.50
Canada: CA$4.50
India: INR101.00
Pakistan: PKR101.00

Instant Downloads
smashwords.com/books/view/1012167

‘The story of broken families, lovers, immigrants.
Five people come together in Surrey BC to
form powerful connections with each other, and
to tell a story that has rarely been told.’

Purple Poppy Press 2020, Vancouver, Canada

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Shahmukhi edition
Paperback
ISBN 978-969-593-315-2
PKR300.00
Sanjh Publications 2019, Lahore Pakistan
sanjhpk@yahoo.com
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Call for Papers: Baisakhi 2020 & International Conference – The Future of Punjab Culture: Awaken or Perish!


Call for Papers
Institute for Art & Culture
Baisakhi 2020: International Conference
The Future of Punjab Culture: Awaken or Perish!

The Institute for Art and Culture (IAC) will be holding a conference on Punjab culture on April 10-11, 2020 and Baisakhi Mela on April 12, 2020. Please review the attached conference brochure in order to acquaint yourself with the motive, philosophy, and goals of the conference. The conference seeks high quality papers on Punjab’s history, culture, arts, politics, and heritage which could be part of the following sessions of our conference program:

Contemporary Topics in Punjab’s Art & Culture
Punjab’s Cultural Heritage: Politics & Politicians
Punjab: Historical Perspectives/Narratives 2500 B.C.E—Present
Punjab Culture & Art: Future Prospects & Strategies
Keynote Speaker: Mushtaq Soofi

The conference is open to academics, artists, writers, activists, intellectuals, politicians, students and media and legal professionals—anyone interested in contributing towards the dialogue on Punjab’s culture and art. Please note that no paper will be considered without the submission of a paper abstract (300-350 words).

Important Dates
Abstract Submission Deadline: February 15, 2020
Full Paper Submission Deadline: March 15, 2020

Please email the abstract to naveed.alam@iac.edu.pk We shall inform you about the selection of your abstract by March 1, 2020. The paper can be read in English or Punjabi.

Conference Patron
Prof. Sajida Haider Vandal
Vice Chancellor, Institute for Art & Culture
Conference Convener
Prof. Pervaiz Vandal
Pro Vice Chancellor, Institute for Art & Culture
Conference Secretary
Prof. Naveed Alam
School of Culture & Languages (SCL), Institute for Art & Culture

Contact Us
Naveed Alam
naveed.alam@iac.edu.pk
Bilal Mushtaq
bilal.mushtaq@iac.edu.pk
0323-417-3363
Noor-ul-Huda
noori_huda@hotmail.com

Download PDF Files
Baisakhi 2020 call for papers
flyer english and punjabi
gurmukhi-flyer

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Uddari Weblog operates from the
unceded Coast Salish territories of
the Semiahmoo, Katzie, Kwikwetlem, Kwantlen,
Qayqayt, Tsawwassen, Musqueam,
Squamish and Tsleil-Waututh First Nations.
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Meet a Peoples’ Poet Laureate – Baba Najmi in Surrey July 7

Baba Najmi, a Pakistani Punjabi poet who has gained the stature of a Peoples’ Poet Laureate in the Punjab, is visiting the Diaspora this July.

Baba Bashir Husain Najmi was born in Lahore in 1948. He has published three poetry books: ‘Akhran Wich Samundar’ Ocean in Words (1986), ‘Sochan Wich Jahan’ World in Thoughts (1995) and more recently, ‘Mera Naan Insaan’ My Name Human. He is a labourer, a trade unionist and a poet who distinguishes himself from others by challenging regressive laws, rules, cultural values and political entities. He is revered by many Punjabis in India, Pakistan and the diaspora. He has won many award. A statue of him has been installed in Jalandhar to recognize his poetic peace efforts between India and Pakistan. Visit Baba Najmi’s Facebook page: facebook.com/PoetBabaNajmi. Below are the details of his July 7th appearance in Surrey

Beyond the boundaries; An event with Great poet Baba Najmi
When: SATURDAY. JULY 7, from 1.30 – 4.30 pm
Where: Crossroads United Church 7655 – 120 St, Delta, BC
Tickets: Only $10.00

Organized by
The Committee of Progressive Pakistani Canadians (CPPC), Vancouver Chapter.

Program presented in Association with
The Dhahan Prize for Punjabi Literature, Centre for India and South Asia Research UBC and Tarksheel (Rational) Society of Canada.

Supported By
Indo Canadian Workers Association (Brampton & Vancouver), Punjabi TV Show, ‘Mehak Punjab Di’, Progressive Arts Club, Surrey.

Facebook event page
facebook.com/events/

For more information and RSVP, contact:
Saif Khalid at 604-889-0233
Avtar Gill at 604-728-7011

Additional Events: Updated July 4, 2018

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No Ordinary Sufi

shah hussain

“If you want your life, die before your death” (Shah Hussain).

This is my summary of Fauzia Rafique’s presentation on the life and poetry of Shah Hussain. The presentation was part of the Dead Poets Reading Series which took place at the Vancouver Public Library (Central) on May 6, 2018.

Shah Hussain (1538-1599) was a Punjabi poet from Lahore. He wrote 163 poems in Punjabi and introduced the kafi genre into the language.[1] His collected works remain among the top selling books of all time in Punjabi.

When he was thirty-six years old, Shah Hussain had a dispute with his religious teacher over the interpretation of the following verse:

“duniya khel tamasha hai” (‘the world’s a play and spectacle’).”

For the teacher, the verse meant the renunciation of the fleeting material world. For Shah Hussain, it meant that life is to be enjoyed. With that, he laughed, donned himself in a red cotton robe and became a dancing mendicant in the streets of Lahore.

Shah Hussain was a “malamti” Sufi, one who took pride in the “malamat” or “shaming” he was subjected to. He stood against the the political and religious establishment in support the common people. He identified himself with the julaha (weaver), the chuhra (sweeper) and the faqir. He associated with rebels like Dulla Bhatti who stirred peasant rebellions against the Emperor Akbar. His poetry reflected the folk rhythms and idiom of everyday Punjabi.

Shah Hussain was a rebel in another way. Unlike the male poets of his day who used the feminine voice (rekhti) to express the “feminine” emotions of grief and anguish, Shah Hussain wrote in the feminine voice to acknowledge and express his own self as a gay man.

If Shah Hussain’s love was transcendent, it was in the earthly sense of overcoming distinctions of class, gender, creed and sexual orientation. He belonged to no sect or lineage other than humanity’s.

Kafi 131

Swaying in ecstasy play on in the inner yard, all is near to those meditating
Rivers flow in this yard, thousands of millions of boats
Some are seen drowning, others have reached the shore
This yard has nine doors, the tenth is locked shut
No one needs to know, from where my lover comes and goes
This yard has a pretty curve, a hollow in the curve
I spread my bed in the hollow to love my lover at night!
A wild elephant in this yard, is struggling with the chain
Says Hussain the Beggar of His Beloved, (the elephant) is teasing the awake

(Trans. Fauzia Rafique)

Jhume jhum khaid lai munjh vehRay, japdeyaN nooN hur naiRay
Vehray de vich nadiyaN vagan, baiRay lakh hazar
kaiti iss vich Dubdi vekhi, kaiti langhi paar
iss vehRay de nauN darvazay, dusswaiN qulf chuRhai
tiss darvazay de mehram nahiN, jit shauh aaway jai
vehRay de vich aala soohay, aalay de vich taaqi
taaqi de vich sej vichaawaN, apnay pia sung raati
iss vehRay vich makna haathi, sangal naal khahaiRay
kahe Hussain Faqir SaeeN da, jagdeyaN kooN chehRay

 

 

[1] A kafi is a lyric poem of four to ten lines.

 

 

 

 

 

 

 

 

 

The Honorable Asma Jahangir

Last Rites
2:30 PM
Tuesday, February 13
Outside the Gaddafi Stadium
Lahore, Pakistan

Last Public Speech
facebook.com/justiceforpashtuns/videos/1169041573198913

Last Tweet
‘Nehal Hashmi’s tone and words cannot be defended but use of contempt law selectively only undermines confidence in the system of justice’

human-rights-icon-asma-jahangir-passes-away-in-lahore
great-women-of-punjabi-origin/#ASMA
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‘Nasreen Anjum Bhatti Ke Leeye – For Nasreen Anjum Bhatti’ a poem by Amna Buttar

‘I read the story and frankly I don’t see a point to it. Her poetry tells her story poignantly and eloquently. This story is more like yellow journalism and is demeaning to the legend called Nasreen Anjum Bhatti.’

Amna Buttar
.

نسرین انجم بھٹی کے لئے

میرا اندر اور میرا باہر
سب تمہارا ہے
میں نے اپنے آسمان کو
اور
اپنے پاتال کو
الفاظ
کے موتیوں میں
پرو کر
تمہارے گلے میں مالا ڈال دی ہے
سوئمبر تو نہیں تھا
مگر پھر بھی
بس اتنی_ بنتی ہے
تم سے
میرا بھرم رکھنا
.

Nasreen Anjum Bhatti Ke Leeye
By Amna Buttar

Mera andar aur mera bahir
sab tumhara hai
main ne apnay aasmaan ko
aur apnay pataal ko
ilfaaz ke motiyon main pro ker
tumharay galay main mala Daal de hai
soimber tau nahin tha
magar phir bhi
bus itni beenti hai
tum se
mera bharm rakhhna
.

Amna Buttar is a poet and politician who works as a physician with New York University (NYU).

Amna wrote this poem after reading a story recently published and launched in Lahore that attempts to degrade and demean the Late Punjabi author Nasreen Anjum Bhatti and others. View details at the link below:
uddari.wordpress.com/2018/01/15/thinfest-promotes-gutter-literature-in-punjabi
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Thinkfest Promotes ‘gutter literature’ in Punjabi

Thinkfest 2018 chose to promote a sub-standard work on the life of Punjabi author, radio artist and arts activist Nasreen Anjum Bhatti. There was an intense demonstration of solidarity with the late author by people who were there to protest against this choice.

Nasreen Anjum Bhatti reads from her first collection of poetry ‘Neel Karayaan Neelkan’.

The aware Punjabi writers and artists have described the story as ‘yellow journalism’, ‘tabloid literature’, and, of course, ‘gutter literature’.

The text proceeds to carry out ‘character assassination of progressive Punjabi writers such as Nasreen Anjum Bhatti, Shaista Habib, Zubair Rana and Fauzia Rafique’, and it does so in a misogynistic, homophobic and degrading manner. The story is penned by Nain Sukh aka Khalid Mahmood in his book called ‘ayi buray de wa’. The so-called story is a collection of inaccuracies where there are as much as FIVE factual mistakes in FOUR lines of text- about one of the writers attacked who, incidentally, is still alive to point them out.

Uddari fully supports Naeem Sadhu, Lahore’s Feminist Collective, and other individuals and organizations that are getting together to stop this attempt to legitimize yellow journalism as literature, and to resist this onslaught of conservative patriarchal mindset that demeans and degrades women, lesbians, gay men and religious minorities.

Down with the erstwhile ‘friends’ who are promoting and supporting this abusive and filthy text, and who are insisting that it should be accepted as Punjabi literature.

Fauzia Rafique
https://gandholi.wordpress.com/
frafique@gmail.com

Also view
‘Nasreen Anjum Bhatti Ke Leeye – For Nasreen Anjum Bhatti’ a poem by Amna Buttar
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Artist Shahid Mirza opens Exhibition of new work at Alhamra Arts Council in Lahore 26-29 December 2017

You are invited to an exhibition of recent works by Shahid Mirza, a painter, mentor and media producer working in Lahore.

Opening @ 3pm on 26th December
Continues till 29th December 2017
Gallery timings: 9am-5pm

Mirza graduated from National College of Arts in Lahore with a degree in advertising design in 1981. He has worked as a full time painter since the late eighties.

The exhibition is hosted by Shahid Mirza and Akram Warraich.

For more information, visit the link below:
facebook.com/events

View Mirza’s official web page
shahidmirzablog.wordpress.com/about
His Facebook Page
facebook.com/shahidmirza
Contact Shahid Mirza
lahorechitrkar@gmail.com
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Punjabi Poetry: Ustad Daman

Trans.daman

Ustad Daman (né Chiragh Din) was born in Lahore in 1911. As a boy, he worked at his father’s tailoring shop while also attending school. Daman learned classical Punjabi poetry at home and was educated in Urdu. He also learned Persian and English including Shakespeare, Keats and Hardy.

Having participated in school poetry recitals, Daman began attending musha’ara in the parks, fairs and bazaars of Lahore as a teenager during the 1920s. The movement for India’s independence had already begun. In 1929, the Indian National Congress made its Declaration of Independence from Lahore. The city was also home to Marxist groups like the Kirti Kisan and anti-colonial and revolutionary groups like the Hindustan Socialist Republican Association.

858340751-indian-national-congress-independence-movement-lahore-independence-concept

Daman recited his own revolutionary and anti-colonial poetry at the musha’ara. While attending one such gathering, Jawaharlal Nehru referred to Daman as the “Poet of Freedom.”

‘In China the Chinese are grand,
In Russia they do as they have planned.
In Japan its people rule over its strand.
The British rule the land of England,
The French hold the land of France,
In Tehran the Persians make their stand.
The Afghans hold on to their highland,
Turkmenistan’s freedom bears the Turkmen’s brand,
How very strange is indeed this fact,
That freedom in India is a contraband’
(Trans. F. Sharma)

Daman remained in Lahore upon the creation of Pakistan in 1947. The riots of the Partition had consumed his shop and library and he lost his wife and son to illness. His first act of political defiance came in 1958 when he made fun of Pakistan’s first military coup under Ayub Khan. Daman’s arrest however did little to temper his criticism of Pakistan’s military dictatorships and the corruption of its civilian governments in his poetry.

Daman wrote in Punjabi and the form, rhythm and metaphor of his poetry bears the influence of the classical and folk Punjabi tradition. If he could be sober and thoughtful in writing on the Partition, he could also adopt a more comic and satirical note in criticizing General Zia. He maintained a friendship with poets like Faiz Ahmed Faiz and Habib Jalib, but lived unassumingly in an old apartment in the precinct of the Badshahi Mosque.

Daman died in 1984. His poetry was published after his death by his friends and followers. The room he lived in near the Badshahi Mosque has since become an academy in his name.

Selected Poems (Trans. F. Sharma)

We may not say it but know it well
You lost your way. We too.
Partition has destroyed us friends.
You too, and us.
The wakeful have quite plundered us.
You slept the while, and we.
Into the jaws of death alive
You were flung. We too.
Life still may stir in us again:
You are stunned yet, and we.
The redness of the eyes betrays
You too have wept, and we.

What a house, this Pakistan!
Above live saints, down thieves have their run
A new order has come into force
Up above twenty families, below the hundred million.
Other people conquered mountains,
We live under the divisions heavy ton.
Other people may have conquered the moon.
But in a yawning precipice a place we’ve won.
I ran and ran and was aching all over,
I looked back and saw the donkey resting under the banyan.


Two gods hold my country in their sway
Martial law and La Illaha have here their heyday.
That one rules there over in the heavens
Down here this one’s writ runs.
His name is Allah Esquire.
This one is called Zia, the light of truth in full array.
Hurrah, General Zia, hip hip hooray,
Whoever can make you go away.

Ecstacy does my land surround
All around the Army is to be found.
Hundreds of thousands were surrendered as POWs.
Half of the land was bartered away in the fray.
Hurrah, General Zia, hip hip hooray,
Whoever can make you go away.

On TV you give recitations from Quran
With fables and traditions you go on and on.
Here we are engulfed in a brouhaha
While up there you are still there, my Allah
A pretender has staked his claim today
Hurrah, General Zia, hip hip hooray,
Whoever can make you go away.

Thankful are some if they can chop wood
The others, on them, their orders bestow.
Why have the people lost their mind?
For every one the Almighty has a loving glow.
People are the real masters of this world
Orders do not from the handle of a sword flow.
The ones, Daman, who have forsaken God,
Those Nimruds are laid low at the very first blow.

Recognize Sikh Community As Integral Part of Pakistani Society – Add Sikhism to the Current Headcount Form

Ramesh Singh Arora, MPA, Punjab Assembly, Lahore (Photo: Pakistan Today)

It is a scandal that Pakistan’s Sikh community does not feature in the country’s Headcount happening now after a gap of 19 years. In the section of religion, the forms offer Islam, Christianity, Hinduism, Qadianiat, scheduled caste, and ‘others’. This has prompted the Sikh community to launch protests in different parts of the country, and one of the leaders who is the ‘first and only Sikh lawmaker in the Punjab Assembly since the partition,’ Ramesh Singh Arora spoke on a point of order in the Punjab Assembly on Monday, and said that he feels his community is being ‘marginalised’, and he asked that the federal and provincial governments redress this issue immediately as the country’s 6th Headcount was already underway.

According to Arora, there may be about 25,000 Sikhs in Pakistan, but the actual number can not be ascertained if the current Headcount does not provide a clear option.

This oversight on part of Pakistan government, that Arora attributes to bureaucracy, may be another reflection of the prejudice that exists against minorities within this self-entitled ‘Muslim’ government that chose to use religion as one of the coercive weapons to control the population.

Not only that Sikhism was founded in areas now in Pakistan, but the Sikh community represents the richness and continuity of Punjabi culture through literature, language, architecture and songs, and it reminds us that there once was a secular and humane Punjabi Sikh Empire in Indian Subcontinent that at its peak in the 19th century ‘extended from the Khyber Pass in the west to western Tibet in the east, and from Mithankot in the south to Kashmir in the north’, and that it was ‘the last major region of the subcontinent to be conquered by the British’. (en.wikipedia.org/wiki/Sikh_Empire)

Pakistan and Punjab governments must add Sikhism to the provided list of religions, because it’s not just about the numbers; omitting Sikhism from the list of religions from the forms for national census, also omits and makes invisible the historical and the ongoing peaceful and constructive role played by Sikh community in the development of Pakistani society.

Fauzia
gandholi.wordpress.com

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Nigar Ahmad – A Great Punjabi Woman

nigar-ahmad1Nigar Ahmad (1945 – 2017)

Nigar Ahmad, an educationist and a woman’s rights activist, was one of the founding members of Women Action Forum (WAF) established in the 1980s to fight General Ziaul Haq’s Islamicization policies that attacked women’s status in Pakistan. Later, Nigar founded Aurat Foundation and served as its Executive Director for many years.

Her contributions to the enhancement of the status of women include mobilizing women candidates to run for local government during the 1993 and 1997 general elections, organizing networks of citizens’ action committees in 70 districts to provide support to women; organizing national conferences and radio programs to inform peasant women on health and agricultural issues. ‘She was a consultant to the United Nations Development Programme (UNDP) in 1991 on the gender impact of a watershed management project in Azad Kashmir. She presented a case study to the Asian Development Bank on a pilot on credit for rural women, and, as a consultant to the United Nations Development Fund For Women, has been involved in a rural credit and gender sensitization training program of UNDP staff. Nigar has also been involved with the National Commission on the Status of Women, and the South Asian Partnership. She was a coauthor for the report on Women’s Development Programs for Pakistan’s Eighth Five-Year Plan.’ (wikipeacewomen.org)

Nigar was awarded the Mohtarma Fatima Jinnah Life Time Achievement Award in 2010 for her work for the empowerment of women. She was one of the 1000 women proposed for the Nobel Peace Prize in 2005, and a nominee from Pakistan of the Global Sisterhood Network.

Nigar was suffering from Parkinson’s disease. She was admitted to a hospital in Lahore for chest pain where she passed away on February 24, 2017. She was the daughter of Mian Riaz Uddin Ahmad, a prominent civil servant in the Punjab.

nigar-ahmad-2

This is what Nigar had to say for George Bush, i wonder what she would have said for Donald Trump.

Fauzia Rafique
gandholi.wordpress.com
frafique@gmail.com

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Punjabi Termed ‘Foul Language’ by Pakistan’s Leading Private School System

uddari-punjabiparchar
Support this demonstration in Lahore
Thursday October 20th at 12pm
In front of BSS Head Quarters

The Sahiwal Campus of Beaconhouse School System (BSS) has issued a notice to students prohibiting them to speak ‘foul language’; and, being helpful, has offered this definition of it: ‘Foul language includes taunts, abuses, Punjabi and the hate speech’.

The school has denied the allegations, and has provided an explanation, saying that it was a mistake. They need not insist on that since this is one of the most employed tool of colonization where local cultures are crushed and then dominated by demonizing local languages. In Canada’s residential schools, Indigenous kids were prohibited from speaking or learning any of the Indigenous languages because those were classified by settler-colonizers as foul, savage, uncivilized, inferior, and most were not even accepted as languages but brushed aside as mere ‘dialects’. So, the Bullshit School System continues to remain faithful to its roots.

The absolute colonial brazenness of the BSS notice has lit a fire under the dash of every Punjabi i know, and that’s the good news because the act has thrown blinding light on something that we try not to see: the state of our language rights in the Punjab province of Pakistan. All shades of Punjabis are coming together to protest; Author Parveen Malik has pulled the BSS into court from Punjabi Adbi Board. Maybe now the affluent elite Punjabis will begin to acknowledge their historic ditching of their mother language in favor of Urdu after the 1947 partition of India, and they will begin to use their influence, resources and political clout to make sure that Punjabi is taught in Punjab’s all government-owned and private educational institutions. 

Uddari is delighted to support the demonstration planned in Lahore today- let’s make our feelings known.

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‘Hawawaan de Sanjh – ہواواں دی سانجھ’ by Harinder Kaur Dhahan

uddari-harinderdhahan-1

Vancouver diye seetlay hwa, toon Lhore val ve ja
apni nighhi nami, khushk hwa ch mila

Sukki sukki Thandh rahi Lhoriyan noon tarrpa
badl le ja urra ke, val Lhore de desha

Na toon lorrein passport, na toon lorrein visa
na lagnay dollar tere, na custom, security te sama

Tainun koi na vekh sakda, kern tainun mehsoos sada
toon taan vagdi vagdi, jhaT paar ker lawein haddan

Tainun sajjay khhabbay’ aggay pichhay, rok na koi sakda
toon shurk ker ke langein kolon, bin dassay thaun patta

Gurumukhi te Shahmukhi nain, sanjhan layan pa
toon ve rishta jorr le, sang Lhore de hwa

Saday piyaray naal dostaan, toon ve dosti nibha
hathein chhawaan kern tainun, saijal palkan te biTha

Vancouver deye seetlay hwa, toon Lhore val ve ja
apni nighhi nami, khushk hwa ch mila
..

Read the original in Gurumukhi
Hwawan De Sanjh

..

ہواواں دی سانجھ
ہریندر کور ڈھاھاں

وینکوور دییے سِیتلے ہوا، توں لہور ول وی جا
اپنی نگھی نمی، خشک ہوا چ ملا

سُکّی سُکّی ٹھنڈ رہی لہوریاں نوں تڑپا
بدل لے جا اُڑا کے، ول ہور دی دِشا

ناں توں لوڑیں پاسپورٹ، ناں توں لوڑیں وِیزا
نہ لگنے ڈالر تیرے، نہ کسٹم، سیکیوریٹی تے سما

تینوں کویئ نہ ویکھ سکدا، کرن تینوں محسوس صدا
توں تاں وگدی وگدی، جھٹ پار کر لویں حدّاں

تینوں سجّے کھبّے، اگّے پِچھے، روک نہ کویئ سکدا
توں شُرک کر کے لنگھیں کولوں، بِن دسّے تھَوں پتہ

گورمُکھی تے شاہ مُکھی نیں، سانجھاں لیاں پا
توں وی رشتہ جوڑ لے، سنگ لہور دی ہوا

ساڈے پیارے نال دوستاں، توں وی دوستی نِبھا
ہتھیں چھانواں کرن تینوں، سیجل پلکاں تے بٹھا

وینکوور دییے سِیتلے ہوا، توں لہور ول وی جا
اپنی نگھی نمی، خشک ہوا چ ملا
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مینوں اپنی ماں بولی پنجابی نال بے حد پیار ہے۔ وینکوور دے خالصہ سکول چ پنجابی پڑھاون دا سبھاگ وی پراپت ہویا۔ ہُن وی ہر اِتوار گوردوارے وچ بچیاں نوں پنجابی پڑھا کے خوشی محسوس کردی ہاں۔ پنجابی ساہت کویتاواں، کہانیاں تے ناول بڑے شوق نال پڑھدی رہندی ہاں۔ کدی کدی دھارمک کویتا لِکھ کے گوردواریاں چ پڑھن دا موقعہ وی ملدا رہندا ہے۔ میں اک پرمانت یوگا ادھیاپک (سرٹیفایئڈ یوگا ٹیچر) وی ہاں۔ ایہہ سِکھیا میں لنگارا کالج توں حاصل کیتی ہے۔

ڈھاھاں إنٹرنیشنل پنجابی لِٹریچر پرایئز نال میریاں بھاوناواں اتے سیواواں جُڑیاں ہویئاں نیں۔ نومبر ۲۰۱۳ وچ اسیں ڈھاھاں پرایئز دا اعلان کرن لئی لہور گئے سی۔ اوتھوں ایس قسم دی کویتا لکھن لیئ مُڈھلی پریرنا مینوں لہوریاں ولوں ساڈے لئی پیار، ستکار تے مان وچوں ملی۔ اوندے سیال پتہ لگیا کہ لہور دے لوک ٹھنڈیاں تے خشک ہواواں توں پِیڑت ہن۔ اک دن سیر کرن ویلے گرمی نال میریاں تپ رہیاں گلّاں نوں جدوں وینکوور دی سمندری ہوا نے چھویا تے اک انوکھا جیہا سکون ملیا۔ اوسے ویلے میرا دل وینکوور دی سیتل ہوا نوں لہور دی خشک ہوا نال سانجھ پیدا کرن لئی پکار اٹھیا۔

Read the above in Gurumukhi

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