Welcome UK Punjabi Poet Mazhar Tirmazi to BC

Poet Mazhar Tirmazi is visiting Canada to stage his acclaimed Punjabi play on 1947 partition of India at the University of Fraser Valley (UFV). The event is scheduled for this Sunday, October 8 from 2-3:30pm, as part of the UFV College of Arts Postcolonial Theatre Festival.

The play is titled ‘Umraan Langhiya Pabhan Bhar / A Lifetime on Tiptoes’. For details, view the links below:
UFV-MAzharTimazi-8 Oct
facebook.com/events/164035090817738

Mazhar Tirmazi will also present his poems at a reading on October 5th, 3-6pm, with local poets.

For information, contact:
Prabhjot Parmar
Associate Professor, Department of English
University of the Fraser Valley
33844 King Road
Abbotsford BC V2S 7M8
Tel: 604-504-7441 x 4472
Email: Prabhjot.Parmar@ufv.ca

For more information about Mazhar Tirmazi, visit his blog:
https://mazhartirmazi.wordpress.com/
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The 5th Gursharan Singh Memorial Lecture – Dr. Ishtiaq Ahmed – Surrey Oct. 6 2017

News Release
September 20, 2017

Dr. Hari Sharma Foundation and Gursharan Singh Memorial Committee is organizing its 5th Gursharan Singh Memorial Lecture on Friday, October 6, 2017 in Surrey. This year’s lecture will be devoted to the 70th year of India’s partition and will be delivered in Punjabi by Dr. Ishtiaq Ahmed.

It has been seventy years since India was partitioned and a new country Pakistan was created. Dr. Ahmed has written scholarly books about this period of our history. Among his much talked about publications are: The Punjab Bloodied, Partitioned and Cleansed, (Karachi: Oxford University Press, 2012), won the Best Non-Fiction Book Prize at the 2013 Karachi Literature Festival and the 2013 UBL-Jang Groups Best Non-Fiction Book Prize at Lahore and the Best Book on Punjab Award from Punjabi Parchar at the Vaisakhi Mela in Lahore, 2016. And , Pakistan: The Garrison State, Origins, Evolution, Consequences (1947-2011), Oxford, 2013. According to Dr. Ahmed the population of the united Punjab at the time of partition was around 34 millions. More than 30 percent of the total population had to cross the border in search of safety. “An estimated 500,000 – 800,000 lost their lives mostly because of violent raids on them. The first case of ethnic cleansing after World War II thus took place in the Punjab.”

Dr. Hari Sharma Foundation for South Asian Advancement is proud to have instituted Gursharan Singh Memorial Lecture in honor of Bha ji Gursharan Singh.

Gursharan Singh passed away on September 27, 2011, mourned widely by the people of Punjab, the progressive and cultural community in India and the South Asian community in Canada. He left the legacy of a life dedicated in the service of democratic and human rights and social justice. He served the oppressed, downtrodden, and politically persecuted people of India primarily through his great talent as a playwright, leaving an indelible mark on Punjabi writing and the practice of people’s theatre. His visits to Canada brought the South Asian community into a public space of progressive culture where the issues of systemic oppression and injustice could be staged and thought about.

Hari Sharma Foundation honors this legacy of a great artist and activist in the cause of social justice. By instituting an annual lecture on the memory of Bha ji Gursharan Singh, it is the intention of the Foundation to keep alive the space Bha ji created in our community and bring scholars and artists from global South Asian Community to engage us in the issues of social justice in South Asia and reflect on our community in Canada.

We attach a poster of the upcoming 5th Gursharan Singh Memorial Lecture to be delivered by Dr. Ishtiaq Ahmed on October 6 at the SFU campus in Surrey from 6:30 to 8:30.
The place: Room # 3310, 250 – 3450 – 102 Ave. Surrey.

For more info.
Harinder Mahil – 778-995-5851
Sukhwant Hundal – 604-644-2470
Sadhu Binning – 778-773-1886

English Poster
PDF Version

Read it in Punjabi (Gurmukhi)
lPress Release
Poster

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Punjabi Poetry: Ustad Daman

Trans.daman

Written by Randeep Purewall

Ustad Daman (né Chiragh Din) was born in Lahore in 1911. As a boy, he worked at his father’s tailoring shop while also attending school. Daman learned classical Punjabi poetry at home and was educated in Urdu. He also learned Persian and English including Shakespeare, Keats and Hardy.

Having participated in school poetry recitals, Daman began attending musha’ara in the parks, fairs and bazaars of Lahore as a teenager during the 1920s. The movement for India’s independence had already begun. In 1929, the Indian National Congress made its Declaration of Independence from Lahore. The city was also home to Marxist groups like the Kirti Kisan and anti-colonial and revolutionary groups like the Hindustan Socialist Republican Association.

858340751-indian-national-congress-independence-movement-lahore-independence-concept

Daman recited his own revolutionary and anti-colonial poetry at the musha’ara. While attending one such gathering, Jawaharlal Nehru referred to Daman as the “Poet of Freedom.”

‘In China the Chinese are grand,
In Russia they do as they have planned.
In Japan its people rule over its strand.
The British rule the land of England,
The French hold the land of France,
In Tehran the Persians make their stand.
The Afghans hold on to their highland,
Turkmenistan’s freedom bears the Turkmen’s brand,
How very strange is indeed this fact,
That freedom in India is a contraband’
(Trans. F. Sharma)

Daman remained in Lahore upon the creation of Pakistan in 1947. The riots of the Partition had consumed his shop and library and he lost his wife and son to illness. His first act of political defiance came in 1958 when he made fun of Pakistan’s first military coup under Ayub Khan. Daman’s arrest however did little to temper his criticism of Pakistan’s military dictatorships and the corruption of its civilian governments in his poetry.

Daman wrote in Punjabi and the form, rhythm and metaphor of his poetry bears the influence of the classical and folk Punjabi tradition. If he could be sober and thoughtful in writing on the Partition, he could also adopt a more comic and satirical note in criticizing General Zia. He maintained a friendship with poets like Faiz Ahmed Faiz and Habib Jalib, but lived unassumingly in an old apartment in the precinct of the Badshahi Mosque.

Daman died in 1984. His poetry was published after his death by his friends and followers. The room he lived in near the Badshahi Mosque has since become an academy in his name.

Selected Poems (Trans. F. Sharma)

We may not say it but know it well
You lost your way. We too.
Partition has destroyed us friends.
You too, and us.
The wakeful have quite plundered us.
You slept the while, and we.
Into the jaws of death alive
You were flung. We too.
Life still may stir in us again:
You are stunned yet, and we.
The redness of the eyes betrays
You too have wept, and we.

What a house, this Pakistan!
Above live saints, down thieves have their run
A new order has come into force
Up above twenty families, below the hundred million.
Other people conquered mountains,
We live under the divisions heavy ton.
Other people may have conquered the moon.
But in a yawning precipice a place we’ve won.
I ran and ran and was aching all over,
I looked back and saw the donkey resting under the banyan.


Two gods hold my country in their sway
Martial law and La Illaha have here their heyday.
That one rules there over in the heavens
Down here this one’s writ runs.
His name is Allah Esquire.
This one is called Zia, the light of truth in full array.
Hurrah, General Zia, hip hip hooray,
Whoever can make you go away.

Ecstacy does my land surround
All around the Army is to be found.
Hundreds of thousands were surrendered as POWs.
Half of the land was bartered away in the fray.
Hurrah, General Zia, hip hip hooray,
Whoever can make you go away.

On TV you give recitations from Quran
With fables and traditions you go on and on.
Here we are engulfed in a brouhaha
While up there you are still there, my Allah
A pretender has staked his claim today
Hurrah, General Zia, hip hip hooray,
Whoever can make you go away.

Thankful are some if they can chop wood
The others, on them, their orders bestow.
Why have the people lost their mind?
For every one the Almighty has a loving glow.
People are the real masters of this world
Orders do not from the handle of a sword flow.
The ones, Daman, who have forsaken God,
Those Nimruds are laid low at the very first blow.

Recognize Sikh Community As Integral Part of Pakistani Society – Add Sikhism to the Current Headcount Form

Ramesh Singh Arora, MPA, Punjab Assembly, Lahore (Photo: Pakistan Today)

It is a scandal that Pakistan’s Sikh community does not feature in the country’s Headcount happening now after a gap of 19 years. In the section of religion, the forms offer Islam, Christianity, Hinduism, Qadianiat, scheduled caste, and ‘others’. This has prompted the Sikh community to launch protests in different parts of the country, and one of the leaders who is the ‘first and only Sikh lawmaker in the Punjab Assembly since the partition,’ Ramesh Singh Arora spoke on a point of order in the Punjab Assembly on Monday, and said that he feels his community is being ‘marginalised’, and he asked that the federal and provincial governments redress this issue immediately as the country’s 6th Headcount was already underway.

According to Arora, there may be about 25,000 Sikhs in Pakistan, but the actual number can not be ascertained if the current Headcount does not provide a clear option.

This oversight on part of Pakistan government, that Arora attributes to bureaucracy, may be another reflection of the prejudice that exists against minorities within this self-entitled ‘Muslim’ government that chose to use religion as one of the coercive weapons to control the population.

Not only that Sikhism was founded in areas now in Pakistan, but the Sikh community represents the richness and continuity of Punjabi culture through literature, language, architecture and songs, and it reminds us that there once was a secular and humane Punjabi Sikh Empire in Indian Subcontinent that at its peak in the 19th century ‘extended from the Khyber Pass in the west to western Tibet in the east, and from Mithankot in the south to Kashmir in the north’, and that it was ‘the last major region of the subcontinent to be conquered by the British’. (en.wikipedia.org/wiki/Sikh_Empire)

Pakistan and Punjab governments must add Sikhism to the provided list of religions, because it’s not just about the numbers; omitting Sikhism from the list of religions from the forms for national census, also omits and makes invisible the historical and the ongoing peaceful and constructive role played by Sikh community in the development of Pakistani society.

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Back to the Moment of Promise – ‘Azadi’ (freedom) Series of Art Work by Shahid Mirza

Artist Shahid Mirza’s Azadi Series is a set of seven mix media paintings illustrating different aspects of our ‘freedom’ from British rule in the 1947 partition of India. From the direct, explicit and in-your-face bloody history of our colonization to the fading shades of secularism in Pakistan, these paintings invite us to contemplate on ourselves post-partition.

Choice of mix media creates the eerie feeling of contemporality within the historicity of the past. With each of these paintings, the Artist tries to bring us back to that moment of promise when freedom from colonization and sectarian bigotry seemed possible; when millions of lives were lost to achieve it.

By bringing us back to that moment of promise, the Artist encourages us to confront our own concepts and constructs of ‘freedom’ before we go on and congratulate ourselves on the continuation of the hollow and shallow facade of celebrating August 14.

azadi-1a-shahidmirzaAzadi 1
Blood-letting of the powerless.

azadi-2a-shahidmirzaAzadi 2
Destruction of life by agents of the state.

azadi-3-shahidmirzaAzadi 3
Changing positions of (Muslim and Hindu) power-brokers.

azadi-4-shahidmirzaAzadi 4
The deadly religio-spiritual antagonist.

azadi-5-shahidmirzaAzadi 5
Sectarian violence.

azadi-6-shahidmirzaAzadi 6
Early faces of hope.

azadi-7-shahidmirzaAzadi 7
Freedom for who?

Created after the formation of Bangladesh, Bhutto’s assassination, Zia’s Islamicization, and Pakistan’s Talibanization, Azadi Series displays the history of partition in the context of today, and, in bringing the past into the present where we continue to suffer from the same but intensified problems of inequality, these paintings insist that the moment of promise is now.

View Shahid Mirza’s profile
Contact Shahid Mirza
Visit his Facebook page

Azadi Series by Shahid Mirza first Published at Uddari Art, Punjab 1947 & After
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Lessons in Remembering

POSTER3

“Never Forget 1984.” These were the words on a sign outside a Sikh gurdwara in Surrey. The sign was posted to announce the anniversary of Operation Bluestar, the Indian army attack on the holy Sikh precinct between June 3 to June 8, 1984.

Operation Bluestar has not been forgotten. It has been the subject of living-room chats, news coverage, documentaries, history books and gurdwara activities in the years since … so what is it we should never forget?

The gurdwara wants you to remember the cause of Khalistan (‘Pure Land’), a separate Sikh state. Khalistan though has become a “Khaalistan” (’empty land’). Its supporters are now mostly on the fringe. Many Sikhs have left India. Few desire another partition.

… I remember 1984. I just don’t want any part of it.

The Harjit Kaur Sidhu Memorial Program – Vancouver March 16-17

The-Harjit-Kaur-Sidhu-Memorial-Program-2016‘Lumber being air dried’ (1910), Vancouver Public Library Acc. No. 14264.

The Eighth Annual
Celebration of Punjabi
The Harjit Kaur Sidhu Memorial Program 2016
Presented by the Department of Asian Studies, UBC
UBC Asian Centre, 1871 West Mall

March 16, 7-9 PM, UBC Asian Centre Auditorium
Reception with snacks at 6:30
Talk on the Ghadar movement by Sunit Singh (University of Chicago)
Award presentation to student winners in a Punjabi-language essay contest
Honour BC-based Punjabi-language author Jarnail Singh Sekha with a life-time achievement award
View performances in Punjabi by students in Punjabi 200 and films by students from ASIA 475, ‘Documenting Punjabi Canada’.

March 17, 4 PM, Room 604, UBC Asian Centre
Talk by Sunit Singh ‘Western Clarion: Canadian Socialists and Indian Migration to British Columbia’, exploring the connections between members of the Punjabi Canadian community and the Canadian Left.

For more information
asia.ubc.ca under “events”
blogs.ubc.ca/punjabisikhstudies under ‘annual event’

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