Sufi Kathak by Manjari Chaturvedi at Jahan-e-khusrau, New Delhi, March 13/11

6:30 PM
Sunday, March 13, 2011
Arab Ki Sarai, Humayun Tomb
New Delhi

Manjari Chaturvedi is the creator and only performer of Sufi Kathak in the world

Sufi Kathak Foundation is a non-profit registered society (Regd.No 61883) that aims to create awareness for Sufi Kathak, and provides scholarships to students pursuing classical and Sufi music and dance; and,  pension and medical insurance to ailing artists.

Prof Hari Sharma (1934-2010)

Southasian activist, academic, visionary
Prof Hari Sharma (1934-2010)

‘It is with deepest sorrow that we announce the death of our friend and comrade, Hari Prakash Sharma, on March 16 following a prolonged battle with cancer. Hari took his last breath in his home of 42 years at Burnaby (a suburb of Vancouver), British Columbia, surrounded by his comrades Harinder Mahil, Raj Chouhan, and Chin Banerjee. All of them had come together in 1976 to form the Vancouver Chapter of the Indian People’s Association in North America (IPANA), which had been founded by Hari and many others at a meeting in Montreal in 1975.

‘Hari was born on November 9, 1934 at Dadri in Uttar Pradesh though his family came from Haryana. His father was a railway employee, so he moved from one place to another wherever his father was posted. Hari received his BA from Agra University and his Master’s in Social Work from Delhi University. The insight into the social life of India Hari got from his travels by train enabled by his father’s employment in the railways and his extensive travels by foot through the villages of India stimulated Hari to start writing short stories in Hindi. Hari is regarded as one of the finest writers of short stories in Hindi and many people had urged him to resume his writing in Hindi. One of his stories was adapted as a play and staged in New Delhi.

‘Hari moved to the US in 1963 for further education and did his Master in Social Work from the Case Western Reserve University, Cleveland, Ohio, in 1964 and Ph.D. in sociology from Cornell University, Ithaca, NY in 1968. He taught briefly at UCLA before accepting a position at Simon Fraser University, British Columbia in 1968, where he stayed till his retirement in 1999. He was honored by the University as Professor Emeritus.

‘Hari, like many enlightened academics of the 1960’s plunged in the anti-Vietnam war movement in the US and Canada. This is also the period when he espoused Marxism, which ideology he held dearly and steadfastly until his death.

‘As a member of the Faculty of Simon Fraser University he became a champion of the academic rights of colleagues who were faced with the threat of dismissal for their support of the student-led movement for democratizing the university. He became an associate and friend of another Marxist Kathleen Gough, who was suspended for her political activities. Kathleen Gough and Hari P. Sharma co-edited the 469-page book, Imperialism and Revolution in South Asia, which was published in 1973 by the Monthly Review Press, New York. The book was sought by political activists of that time and many people know of Hari as an eminent leftist scholar because of that book.

‘The 1960’s were a period of international revolutionary upheaval. The Naxalbari peasant uprising happened in the spring of 1967. Hari was greatly inspired by it. He went to India and visited Naxalbari area. It is then he got committed to the path opened by Naxalbari and retained his faith in its ultimate success until his last days, while many of his comrades had simply written off Naxalbari as a thing of the past. Hari developed contact with peasant revolutionaries and maintained a living contact till his last days.

‘While associating with the Naxalbari movement in India, Hari carried on anti-imperialist work in Vancouver through the weekly paper, Georgia Straight, published by the Georgia Straight Collective, of which he was a founding member. In 1973 Hari went to the Amnesty International in London and the Commission of Jurists in Geneva and sent a written representation to the UN Human Rights Commission to publicize the condition of more than thirty-thousand political prisoners in Indian jails.

‘In 1974 he and his comrade Gautam Appa of the London School of Economics organized a petition of international scholars to protest the treatment of political prisoners in India, which he handed to the Indian Consulate in Vancouver, BC on August 15 of the same year.

‘In 1975 Hari enthusiastically accepted an invitation from his friends in Montreal. He along with many others founded the Indian People’s Association in North America (IPANA) on June 25, 1975, exactly on the same day on which Indira Gandhi declared the State of Emergency in India. Hari’s tireless work against dictatorship in India and in defense of political prisoners and oppressed peoples, and his energetic organization of progressive people across North America in the struggle against imperialism and for social justice, led to the revocation of his passport by the Indira Gandhi government in 1976.

‘Having engaged in various anti-racist struggles in the 1970s, IPANA in Vancouver, under Hari’s leadership became a primary force in the formation of the British Columbia Organization to Fight Racism (BCOFR: 1980), which proved to be an extremely effective instrument against the tide of racism in the province at the time. Hari and IPANA also played a leading role in the formation of the Canadian Farmworkers’ Union (CFU: 1980), which for the first time took up the cause of farm workers who had been historically excluded from protection under the labour laws and any protective regulation.

‘From the 1980s Hari’s work also began to focus on the condition of minorities in India, which came to a crisis with the attack on the Golden Temple and the massacre of Sikhs in Delhi in 1984 following the assassination of Indira Gandhi. Hari stood firm in his defense of the human rights of Sikhs and, increasingly of Muslims who became the primary targets of the rising Hindutva forces gathered under the banner of the Bhartiya Janata Party. He organized a parallel conference on the centralization of state power and the threat to minorities in India to coincide with the Commonwealth Conference in Vancouver in 1987.

‘In 1989 Hari brought large sections of the South Asian community together to form the Komagata Maru Historical Society to commemorate the 75th anniversary of the Komagata Maru incident, in which Indian immigrants traveling to Canada on a chartered ship were turned away from the shores of Vancouver by the racist policies of the Canadian Government. As a result of the society’s work a commemorative plaque was installed in Vancouver. In 2004, during a screening of the documentary film on this incident by Ali Kazimi, Continuous Journey, the Mayor of Vancouver presented a scroll to Hari dedicating the week to the memory of Komagata Maru.

‘Following the attack on Babri Masjid in December 1992 Hari became the prime mover in the formation of a North American organization dedicated to the defense of minority rights in India called, Non-resident Indians for Secularism and Democracy (NRISAD). This organization brought together Hindus, Sikhs, Muslims, and Christians of origin in South Asia through educational and cultural activities. It had its most significant moment in Vancouver in 1997, when it celebrated the 50th anniversary of the independence of India from colonial rule by bringing together people from the entire spectrum of the South Asian community to focus on how much remained to be done on the subcontinent and the urgent need for peace between Pakistan and India.

‘Recognizing the need to build a North American front against the growing menace of Hindutva fascism in India, Hari travelled to Montreal in September 1999 to join the founding of International South Asia Forum (INSAF). He became its first President and organized the Second Conference in Vancouver from August 10-12, 2001.

‘Hari’s leadership again led to the development of NRISAD into South Asian Network for Secularism and Democracy (SANSAD) in Vancouver to embrace the necessity of going beyond a focus on India to the entire South Asian region in the quest of peace and democracy based on secularism, human rights and social justice. SANSAD has pursued these goals vigorously, condemning the massacre of Muslims in Gujarat in 2002 (for which he was denied a visa to go to India), championing the human rights of Kashmiris, promoting peace between Pakistan and India, supporting the rights of women in Pakistan, condemning violence against journalists and academics in Bangladesh, supporting the movement for democracy and social justice in Nepal, and defending the human rights of Tamils under the attack of the Sri Lankan state.

‘Besides being an able political organizer and a gifted writer of short stories, Hari was also a talented photographer. He photographed the common people of India, their lives and struggles. His photographs hang in many homes and have been displayed in many exhibitions. He proved himself to be an excellent director of political drama.

‘Political ideals remain steadfast. However, there has, naturally been, divergence of opinion on the strategy and tactics of achieving these ideals. During the course of long political activity of more than 50 years, Hari made many friends and comrades. It is natural that among these comrades there also arose disagreements on many issues. Nevertheless, Hari remained a comrade or a friend of all of them and they all are deeply saddened by his passing away.

‘Hari leaves behind him a legacy of activism in the service of the oppressed. He is an inspiration to engagement in the struggle for a better world, to a never-flagging effort to create a world without exploitation, without imperialist domination, without religious, caste, ethnic or gender oppression, a world that Marx envisioned as human destiny.’

Chin Banerjee
Harinder Mahil
Raj Chouhan
Daya Varma
Vinod Mubayi
Charan Gill

From Ijaz Syed at

Contact Uddari

Painter Manjit Bawa Moves ON


Punjabi Painter Manjit Bawa passed away today (29th December) in New Delhi. He was in a coma for the last three years following a heart stroke.

Bawa was known for his miniature-style paintings using lucid colors and folk motifs.

View Bawa’s profile and some of his paintings at Uddari Art:
Manjit Bawa

Contact Uddari

‘Lyrical voices of sublime nature’ an exhibition by Prem Singh

Prem Singh’s Solo 2008 Art Exhibition

Prem Singh’s Profile and work at Uddari Art

”Lyrical Voices” – a new set of paintings by Prem Singh – a distinctive visual voice in today’s art world will be on view at Mumbai’s Jehangir Art Gallery from 29 October to 4 November, 2008.

Nature, for Prem Singh, remains a major source of inspiration, and whose divine and celestial chorus is ever rejuvenating for this artist. The transitory nature of earth, water, sky, sun and moon with its myriad effects of light and colour manifest to his palette and mood. His new paintings reflect on such playful and prayerful moments which he has experienced through his dialogue with the manifest and the
unmanifest in nature.

Painting, for him, now ‘happens’. He paints with a joy in his soul.

There is an inner necessity in his artistic expressions which according to Angela Di Bellow [NY] ‘provide a sublime glimpse of nature and the nature of the mind. Multiple layering provide depth and
visual lyricism, bringing to memory a time of innocence, a time when as children we lay on fresh green blades of grass and looked up at a crisp blue sky, and wondered. This is what the work is about’.

Writing about his latest work in his catalog, a Florida based artist writer Armida Nagy Stickney records, “Prem’s art is an act of being. It’s as if, in the state of Shakti, he sees all space as if already absorbed in his own head in the brilliance. It is a visual language to be seen and shared”.

Recipient of Triennale India International Award 1994 and The Saatchi Gallery [London] Your Studio Award 2007. Prem Singh’s work is now in the collection of museums and discerning art collectors
internationally. He is member of many international artist groups.

Recently his work has been included in the book ‘Freedom and Art’ edited by Carla Goldberg [USA] and published by Mirca Group Sweden. A Travelling Exhibit featuring the work of 74 artists from 27 countries in this book is beginning from Beacon Fine Art Gallery, Beacon [NY] on 14 Feb, 2009.

Prem Singh lives and works in New Delhi.

Contact Prem Singh at:
Web Thekana:

From Chitrkar

Contact Uddari

Inside Uddari Pages 2

The Punjabi Writers page at Uddari has been populated with Waris Shah Award winning writer of short fiction, Nadir Ali from Lahore; the winner of Massod Khadarposh Award and Waris Shah Award, Mansha Yaad from Islamabad; and, the recipient of many awards who was named by Khushwant Singh as ‘The Queen of Punjabi Literature’, Amrita Pritam from New Delhi.

Please do not wait to be asked, send information about yourself or other writers to Uddari for this page.

Honouring Poet Surjit Patar

The ANAD Foundation organized an event on April 8 in New Delhi at the Stein Auditorium to commemorate the work of Poet Surjit Patar. This event was in memory of Baljit Kaur Tulsi where poetry readings were also offered by contemporary Indian poets Anamika (Hindi), Balraj Komal (Urdu), K. Satchidanandan (Malyalam) and Ashok Vajpayee (Hindi). A solo recital by Leonardo Amar Dhyan Singh titled “Shan”, and “Lehra by pakhawaj guru” by Pandit Ravi Shankar Upadhyay. Here is a taste of Surjit Patar’s words in English:

These words embellished in colours would dissolve

And those chiseled in marble would get wiped out

Words that the burning hands scribbled across the winds

Shall remain written across the winds forever

Anad Kav tarang, New Delhi, April 8, 2008
Punjabi Poetry