Artist Shahid Mirza’s Azadi Series is a set of seven mix media paintings illustrating different aspects of our ‘freedom’ from British rule in the 1947 partition of India. From the direct, explicit and in-your-face bloody history of our colonization to the fading shades of secularism in Pakistan, these paintings invite us to contemplate on ourselves post-partition.
Choice of mix media creates the eerie feeling of contemporality within the historicity of the past. With each of these paintings, the Artist tries to bring us back to that moment of promise when freedom from colonization and sectarian bigotry seemed possible; when millions of lives were lost to achieve it.
By bringing us back to that moment of promise, the Artist encourages us to confront our own concepts and constructs of ‘freedom’ before we go on and congratulate ourselves on the continuation of the hollow and shallow facade of celebrating August 14.
Created after the formation of Bangladesh, Bhutto’s assassination, Zia’s Islamicization, and Pakistan’s Talibanization, Azadi Series displays the history of partition in the context of today, and, in bringing the past into the present where we continue to suffer from the same but intensified problems of inequality, these paintings insist that the moment of promise is now.