‘Nasreen Anjum Bhatti Ke Leeye – For Nasreen Anjum Bhatti’ a poem by Amna Buttar

‘I read the story and frankly I don’t see a point to it. Her poetry tells her story poignantly and eloquently. This story is more like yellow journalism and is demeaning to the legend called Nasreen Anjum Bhatti.’

Amna Buttar
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نسرین انجم بھٹی کے لئے

میرا اندر اور میرا باہر
سب تمہارا ہے
میں نے اپنے آسمان کو
اور
اپنے پاتال کو
الفاظ
کے موتیوں میں
پرو کر
تمہارے گلے میں مالا ڈال دی ہے
سوئمبر تو نہیں تھا
مگر پھر بھی
بس اتنی_ بنتی ہے
تم سے
میرا بھرم رکھنا
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Nasreen Anjum Bhatti Ke Leeye
By Amna Buttar

Mera andar aur mera bahir
sab tumhara hai
main ne apnay aasmaan ko
aur apnay pataal ko
ilfaaz ke motiyon main pro ker
tumharay galay main mala Daal de hai
soimber tau nahin tha
magar phir bhi
bus itni beenti hai
tum se
mera bharm rakhhna
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Amna Buttar is a poet and politician who works as a physician with New York University (NYU).

Amna wrote this poem after reading a story recently published and launched in Lahore that attempts to degrade and demean the Late Punjabi author Nasreen Anjum Bhatti and others. View details at the link below:
uddari.wordpress.com/2018/01/15/thinfest-promotes-gutter-literature-in-punjabi
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Thinkfest Promotes ‘gutter literature’ in Punjabi

Thinkfest 2018 chose to promote a sub-standard work on the life of Punjabi author, radio artist and arts activist Nasreen Anjum Bhatti. There was an intense demonstration of solidarity with the late author by people who were there to protest against this choice.

Nasreen Anjum Bhatti reads from her first collection of poetry ‘Neel Karayaan Neelkan’.

The aware Punjabi writers and artists have described the story as ‘yellow journalism’, ‘tabloid literature’, and, of course, ‘gutter literature’.

The text proceeds to carry out ‘character assassination of progressive Punjabi writers such as Nasreen Anjum Bhatti, Shaista Habib, Zubair Rana and Fauzia Rafique’, and it does so in a misogynistic, homophobic and degrading manner. The story is penned by Nain Sukh aka Khalid Mahmood in his book called ‘ayi buray de wa’. The so-called story is a collection of inaccuracies where there are as much as FIVE factual mistakes in FOUR lines of text- about one of the writers attacked who, incidentally, is still alive to point them out.

Uddari fully supports Naeem Sadhu, Lahore’s Feminist Collective, and other individuals and organizations that are getting together to stop this attempt to legitimize yellow journalism as literature, and to resist this onslaught of conservative patriarchal mindset that demeans and degrades women, lesbians, gay men and religious minorities.

Down with the erstwhile ‘friends’ who are promoting and supporting this abusive and filthy text, and who are insisting that it should be accepted as Punjabi literature.

Fauzia Rafique
https://gandholi.wordpress.com/
frafique@gmail.com

Also view
‘Nasreen Anjum Bhatti Ke Leeye – For Nasreen Anjum Bhatti’ a poem by Amna Buttar
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Saraiki Poet Rifat Abbas refuses the Pride of Punjab Award for Punjabi Poetry

rifat-abbas

All admiration and support to poet/educator Rifat Abbas for taking this action in favour of his mother language at this year’s International Mother Language Day.

“I’ve no moral ground to accept the award; I refuse it due to three main reasons: being a poet, being a Seraiki nationalist and being a neighbor of small nations struggling against the suppression of Punjab,” said Mr Abbas. Explaining the reasons, he said that being a poet he had not rendered any service for the promotion of Punjabi language but his all services were for the promotion of Seraiki language.
dawn.com/news/1316216/seraiki-poet-turns-down-punjab-award

As a Punjabi writer, i much appreciate his insistence on the three points he has mentioned: that he is a Saraiki language poet who doesn’t like to be packaged as a Punjabi poet; that he is also a Saraiki nationalist demanding independent rights and resources for Saraiki speaking people; and, that the harsh oppression of Balochis and Sindhis being carried out by the Punjabi power-holders can not be ignored.

It is my experience that Pakistan’s Punjabi writers, mainly based in Lahore, hold the few resources available for mother languages in the Punjab, and their bigoted attitude does not allow them to listen to people like Rifat Abbas who for many years are saying that Saraiki is not Punjabi and that it is a distinct language with it’s own culture and geographic location. It’s understandable that Pakistan’s federal and provincial state structures would have a negative view of this position but why is it that Punjabi writers feel offended by it? Perhaps some vested interests and literary hegemonies are preventing us from supporting another writer’s stand for his mother language.

As Punjabis, who are we to judge if a language is a dialect of Punjabi when the representatives and speakers of that language are saying that it’s not? Because not only that Saraiki is not Punjabi but it also does have it’s own culture (a Punjabi, for example, will greet another Punjabi in a different way than a Seraiki will greet another Seraiki) and land. If we don’t acknowledge it, we are putting forward the same colonial concepts and aspirations that make us complicit now on the suppression being carried out by Pakistan’s Punjabi-led state structures against Balochis, Sindhis and Pashtuns- like we were complicit against Bengalis in the 60s and the 70s.

Uddari fully supports Rifat Abbas and other friends in Saraiki wasaib for their ongoing struggle to get recognition and rights for their language and culture.

Fauzia Rafique
gandholi.wordpress.com

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Thanks Giving for Books

This November, we are motivated to remember the books that made a difference in our lives, and to offer thanks to the authors for writing them. Giving thanks below are Mariam Zohra Durrani, Sonja Grgar, Sana Janjua, Randeep Purewall and Fauzia Rafique.
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My ‘loved’ books

Journey to Ixtlan, Carlos Castenada
Affirmed personal metaphysical philosophy

Native Son, Richard Wright
Increased sociopolitical awareness about north america.

Primitive Offense, Dionne Brande
Influenced poetic work.

Sula, Toni Morrison
Touched by sula and toni.

Skeena, Fauzia Rafique
Healing; reincarnation of my ancestors and homeland.

Incognito, David Eagleman
Affirmed and empowered my personal metaphysical philosophy.

The Biology of Belief, Bruce H. Lipton
Affirmed and empowered my personal metaphysical philosophy.

A Woman’s Herbalist, Kitty Campion
Gave knowledge of herbs and techniques and concoctions.

Mariam Zohra Durrani
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Books I am thankful for

Fools’ Crusade: Yugoslavia, Nato, and Western Delusions, Diana Johnstone
Academically rigorous exploration of the role of the West and NATO in the breakdown of Yugoslavia, and one that exposes many of the propagandist depictions of Serbia that were promoted by western mainstream media during that time.

Sophie’s Choice, William Styron
Artful and heartbreaking account of the effects of holocaust on those who have survived it, and on those of Jewish identity in general.

Anna Karenina , Leo Tolstoy
Complex and beautifully philosophical portrait of 19th century Russia and stifling social norms that drive its heroine to her demise.

The Namesake, Jhumpa Lahiri
Stunningly eloquent and touching portrayal of the immigrant experience in America, and the complexities of composite cultural identities.

The Tyranny of E-mail, John Freeman
A much needed and rare critical look at the often blindly celebrated cyber world we live in.

Geographies of a Lover, Sarah de Leeuw
An incredibly skillful book of erotic poetry that uses the raw imagery of BC landscape as a metaphor for the vigour and fullness of female sexuality

Skeena, Fauzia Rafique
A raw and brave account of a Pakistani woman’s life back home and in Canada, unflinching in its critical portrayal of patriarchy and chauvinism in both societies, yet laced with a warm, yet never sentimental, homage to the lead protagonist’s homeland

Sonja Grgar
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I love these books

In the Skin of Lion, Micheal Ondaatje

An Equal Music, Vikram Seth

The Wretched of the Earth, Fanon, the God

The Golden Notebook, Doris Lessing

Black, George Elliot Clarke

The Buddha of Suburbia, Hanif Kureishi

The Little Match Girl, Hans Christian Anderson

Blindness, Jose Saramago

Native Son, Richard Wright

Sana Janjua
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Thankful for the following books

A Diary of a Nobody, George and Weedon Grossmith
It’s hilarious, a delightful and touching “light” read. I come back to it time and time again, probably because of its main character, Charles Pooter who is one of the great figures in English comic literature.

Dream of a a Red Chamber, Cao Xueqin
Reading this book was an experience. I almost felt like I was living the life of its characters, set in 19th century China. And the supernatural Buddhist/Daoist themes lend it a “timeless,” mysterious feel.

Deewan-i-Ghalib, Ghalib
I am still reading and learning Ghalib’s verses. His poetry is complex, challenging and captivating. His verses can be philosophical, melancholic and irreverant, telling us not only much about Ghalib’s life but of the twilight of the Mughal era.

Skeena, Fauzia Rafique
This was my first Punjabi novel (which I actually read in its English edition). It was a novel that not only made an old literature sound contemporary but one that did so poignantly without being sentimental. The scenes in the novel are etched in my memory and I enjoyed how it dealt with “political” themes like class, poverty and patriarchy, without ever once sounding political.

Randeep Purewall
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Thankful for every book read (to the end), but for some, more so.

Kafian, Madholal Hussain
Shah Hussain’s (Punjabi) poems emerged as songs in my childhood. Later, i realized, Kafian speaks to my totality in some way as it gives me a perspective to view and experience life. From then to now, if planning to travel for over a week, Kafian comes with me because it’s home.

Diwan-e-Ghalib, Assadullah Khan Ghalib
Mirza Ghalib’s collection of (Urdu) poems came upon me a little later than Kafian but in similar ways, and though a very different flavour, it also is a continuous source of pleasure and profundity.

Nausea, Jean-Paul Sartre
Though i love Sartre’s trilogy The Roads to Freedom, thanks must be given for Nausea that I read in early youth and there it made me understand why i was feeling nauseous all the time.

After, i found two incredible books that helped me to make sense of the world that was unfolding in the ’70s, notes on alienation in Economic and Philosophic Manuscripts of 1844 by Karl Marx and The Second Sex by Simone de Bouvois. Much gratefulness for both.

Power, Linda Hogan
Thanks to Linda Hogan for all her novels, they allowed me to ‘see’ and ‘feel’ the lived lives of her characters. As well, because in Toronto in the ’90s, i was having this recurring image of an upside down tree with roots as branches, and it was disturbing me to the point where i began to mention it to friends including poet Connie Fife, who later brought me three novels by Linda Hogan. And unbelievable though it was, i found the exact scene of an upside down tree in one. There also was a reason for it: a storm, and there were people who were able to deal with it. I did not understand why i was having it, i still don’t, but the stress went away.

The Satanic Verses, Salman Rushdie
Special thanks to Salman Rushdie for The Satanic Verses (with Midnight’s Children and Shame since they come out from and flow into each other), the work that launched a strong and permanent literary assault on religious bigotry and its contexts of oppression; the telling of a story that showed us what literature can do. In its aftermath, the Author’s insistence on our right to freedom of expression, to discuss and to confront extremism, continues to strengthen the secular movement. The usage and expression is as revolutionary as the content. The Satanic Verses also is my most valued Banned Book.

The Beloved, Toni Morrison
Thanks to Toni Morrison for The Beloved, an unbelievable story of courage and endurance, of heroic survival and resistance, that claimed from me all the buried emotions of women’s system-sanctioned stoning-lynching-gangraping deaths, confinement and torture. I’m in awe of Toni Morrison for telling this story the way she has though i may not dare read it again.

Fauzia Rafique
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Inspired by
PEN American Centre‘s Facebook post ‘Giving Thanks for Books’
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‘Love and Bones’ by Bonnie Nish – Book Launch Vancouver Sept 20/13

loveandbones-cover

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LOVE AND BONES – BOOK LAUNCH
Friday September 20th, 2013!
7PM
St. Marks Church
1805 Larch Street, Vancouver BC

Poetry by Bonnie Nish
Cover Photo by Mark L. Tompkins
Publisher Karma Press
Love and Bones has been lovingly edited by
Sita Carboni, Mary Duffy, Evelyn Lau
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The night will begin with a few words from Evelyn Lau and be MC’d by Dennis E. Bolen with musical entertainment from Sharon McIntee-Birrell and Michael Peacock.

‘Remembrance and wonder imbue this debut collection of poetry that delves deep to explore “all that is carried in marrow” –from a child’s memories of the family home to a grandparent’s experience of the Holocaust. In poems about family and intimate relationships that are replete with rich images that reveal the complex tapestry of human connection and disconnection, Nish offers us the “eternal pictures” left behind by those we love.” ~ Fiona Tinwei Lam

“Love and Bones is aglow with every kind of love — love of parents, love of the romantic other, love of children, love of cultural inheritance, love of poetry, love of the implacable mysteries of life. On every page of this book you will see how poems can give passionate utterance to the depth, intricacy, and power of authentic human feeling. You will see also how the signature note in these pieces is one of praise. Out of regret, dark recesses of sadness, and mourning come elation, affirmation, and transformative creative joy as in a kind of miracle. This is an utterly moving, nuanced collection full of images and lyrical turns that match the orders of emotion it evokes — and mark it as an imaginative triumph.” ~ Russell Thornton

Bonnie Nish is the Founder and Executive Director of Pandora’s Collective Outreach Society a charitable organization in the literary arts based in Vancouver British Columbia. She is also Executive Producer of the Summer Dreams Literary Arts Festival an outdoor festival now in its tenth year. Published widely you may view some of her work (both poetry, prose and book reviews) in “The Toronto Quarterly”, “Quills,” “WordWorks,” and on-line at Haunted Waters Press, blueprintreview.com, hackwriters.com and greenboathouse.com. Bonnie has a Masters in Arts Education from Simon Fraser University and is currently pursuing a PhD in Expressive Arts Therapy at the European Graduate School.

Contact
blnish_pandoras@yahoo.ca
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uddariblog@gmail.com
https://www.facebook.com/UddariWeblog
@UddariWeblog
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The Pity of Partition: Dr. Ayesha Jalal’s Lectures at UBC

jalal image

As part of the Virani Lecture 2013 series at the University of British Columbia, Ayesha Jalal delivered two lectures on the Partition, the first on March 14, 2013, the second on March 15, 2013.

The first lecture, “The Pity of Partition: Manto’s Life, Times and Work across the India-Pakistan Divide,” looked at Manto’s life before, during and after the partition and how he portrayed it in his stories. By looking at Manto’s early revolutionary aspirations in Amritsar, his days as a screenwriter in the film industry of cosmopolitan Bombay and his reluctant boarding of a ship to Karachi in 1947, Jalal showed how partition can be examined through analyses that are not communitarian in tone but, as in Manto’s case, cosmopolitan and post-communitarian.

manto book

The second talk by Jalal, “Separating at Close Quarters: Interpreting PartitionViolence,” sought to dismantle some of the dominant modes of interpreting partition. First, Jalal pointed out that it was not religion as “faith” that was responsible for the violence but rather religion as “difference” between people. Second, communal differences were affected by the material considerations of acquiring “zan, zar, zameen” (gold, land, women). Partition was as much about looting mansions, snatching land and appropriating women as it was about killing one’s fellow man.

Third, traditional analyses of partition forget to mention that most Punjabis refrained from violence, looting, rape and arson. Most of the violence Jalal argued was perpetrated by mobs, thugs and vigilante groups but little beyond that. Muslims helped Hindus and Sikhs helped Muslims reach safe passage. In other cases, women who were  kidnapped decided to stay on the “wrong” side of the border after the formal exchanges of abucted women had been made between India and Pakistan. Any analysis of partition violence Jalal argued has to consider factors beyond just religion.

Jalal is Professor of History at Tufts University and has taught at Columbia University, the University of Madison-Wisconsin and Harvard University. For more information on Professor Jalal’s book on Manto, please click here:  http://www.soas.ac.uk/csp/events/annual-lecture/file79820.pdf.

Fauzia Rafique gets Queen Elizabeth II Diamond Jubilee Medal

Uddari’s Fauzia Rafique has been awarded a medal for outstanding services to the community. The awards are given by Jinny Sims, an MPA of the National Democratic Party (NDP), as part of the Diamond Jubilee celebrations of Queen Elizabeth 11.

A presentation ceremony will be held at 1:00 on February 10th, 2013 at the All India Banquet Hall at 201-13030 76 Ave, Surrey. 

The ceremony will begin at 1:30 and last for approximately one hour.

More information about this medal:
http://www.gg.ca/document.aspx?id=14019&lan=eng

Contact Jinny Sims
(MP, Newton-North Delta)
p: 604 598-2200
f: 604 598-2212
113-8532 Scott Rd., Surrey, BC, V3W 3N5

Contact Fauzia
frafique@gmail.com
gandholi.wordpress.com
@RafiqueFauzia
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