Welcome Author/Publisher Parveen Malik to Vancouver – Dhahan Prize 2018 Events

This year, as part of the celebrations of Dhahan Prize for Punjabi literature, Pakistan’s renowned author, poet and publisher Parveen Malik will be visiting Vancouver. ‘Parveen Malik is a writer of fiction, teleplays and radio programs; a known literary personality on radio and TV; and, a highly respected publisher of Urdu and Punjabi literary books.’ More about Parveen is here: parveen-malik-punjabi-maanboli-writer

Parveen will participate in ‘Afternoon with Winners and Finalists’ on Sunday October 21st at Crossroads United Church in Surrey.
View the details in the poster below.

The main Dhahan Prize 2018 Awards Ceremony will take place on:
Saturday October 20th
6:00 PM – 9:30 PM, at:
Robert H. Lee Alumni Centre
UBC, 6163 University Blvd
Vancouver, BC V6T 1Z1
More information:
eventbrite.com/e/dhahan-prize-2018-awards-ceremony

Uddari congratulates the 2018 Dhahan Prize winners:
Baldev Singh Sadaknama for ‘Sooraj Dee Akh’ (Sun’s Eye), historical fiction.
Nasir Baloch for ‘Jootha Sacha Koi Na’ (Anything Goes), short story collection.
Harpreet Sekha for ‘Prism’, short story collection.
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Meet a Peoples’ Poet Laureate – Baba Najmi in Surrey July 7

Baba Najmi, a Pakistani Punjabi poet who has gained the stature of a Peoples’ Poet Laureate in the Punjab, is visiting the Diaspora this July.

Baba Bashir Husain Najmi was born in Lahore in 1948. He has published three poetry books: ‘Akhran Wich Samundar’ Ocean in Words (1986), ‘Sochan Wich Jahan’ World in Thoughts (1995) and more recently, ‘Mera Naan Insaan’ My Name Human. He is a labourer, a trade unionist and a poet who distinguishes himself from others by challenging regressive laws, rules, cultural values and political entities. He is revered by many Punjabis in India, Pakistan and the diaspora. He has won many award. A statue of him has been installed in Jalandhar to recognize his poetic peace efforts between India and Pakistan. Visit Baba Najmi’s Facebook page: facebook.com/PoetBabaNajmi. Below are the details of his July 7th appearance in Surrey

Beyond the boundaries; An event with Great poet Baba Najmi
When: SATURDAY. JULY 7, from 1.30 – 4.30 pm
Where: Crossroads United Church 7655 – 120 St, Delta, BC
Tickets: Only $10.00

Organized by
The Committee of Progressive Pakistani Canadians (CPPC), Vancouver Chapter.

Program presented in Association with
The Dhahan Prize for Punjabi Literature, Centre for India and South Asia Research UBC and Tarksheel (Rational) Society of Canada.

Supported By
Indo Canadian Workers Association (Brampton & Vancouver), Punjabi TV Show, ‘Mehak Punjab Di’, Progressive Arts Club, Surrey.

Facebook event page
facebook.com/events/

For more information and RSVP, contact:
Saif Khalid at 604-889-0233
Avtar Gill at 604-728-7011

Additional Events: Updated July 4, 2018

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‘Legacies of the Homeland – 100 Must-Read Books by Punjabi Authors’ – Paramjeet Singh

Legacies of the Homeland
ISBN: 978-1-64249-423-5
Paperback
28-03-2018
Order it at the link below:
notionpress.com

‘Legacies of the Homeland’ is a pleasant new resource that introduces Punjabi literature to the English reader by listing the top one hundred books in autobiography, novel, poetry, plays and short story collections. The selection process required that each book be also available in English, and this has kept many worthy authors from being a part of it yet one can get a strong and clear picture of the body of literature that this book represents.

Paramjeet Singh

As is apparent from the title, the collection’s primary aim is to engage the diaspora, and it does that very well. Author and Editor Paramjeet Singh has developed a much-needed and timely resource for a growing Punjabi readership and for the ever increasing number of authors, teachers, researchers, art lovers and students of Punjabi language and literature in the diaspora. As well, it strengthens the stream started by Dhahan Prize for Punjabi Literature that began to offer each year a substantial award to Punjabi fiction writers regardless of their geographic locations, belief systems and favored scripts. Both serve the Homeland by asserting the Diaspora, both assert the Diaspora in serving the Homeland, and both attempt to bring the two together.

These are forceful interventions, it is possible that there be some negative outcomes or reactions to them but in large part all such projects provide a strong uplift to Punjabi language, literature, art and culture at the local and global level as they must by nature defy narrow constraints of nationality, religion, gender, race, and even the barriers of scripts and languages. In that, it is our hope that we can nurture an atmosphere of open-mindedness, discussion and interaction among different communities of Punjabis to enjoy all benefits that these robust processes may yield.

I am honored that ‘Legacies of the Homeland’ counts my first novel ‘Skeena’ as one of the top 100 must-read Punjabi books.

Fauzia Rafique
gandholi.wordpress.com
.
.

No Ordinary Sufi

shah hussain

“If you want your life, die before your death” (Shah Hussain).

This is my summary of Fauzia Rafique’s presentation on the life and poetry of Shah Hussain. The presentation was part of the Dead Poets Reading Series which took place at the Vancouver Public Library (Central) on May 6, 2018.

Shah Hussain (1538-1599) was a Punjabi poet from Lahore. He wrote 163 poems in Punjabi and introduced the kafi genre into the language.[1] His collected works remain among the top selling books of all time in Punjabi.

When he was thirty-six years old, Shah Hussain had a dispute with his religious teacher over the interpretation of the following verse:

“duniya khel tamasha hai” (‘the world’s a play and spectacle’).”

For the teacher, the verse meant the renunciation of the fleeting material world. For Shah Hussain, it meant that life is to be enjoyed. With that, he laughed, donned himself in a red cotton robe and became a dancing mendicant in the streets of Lahore.

Shah Hussain was a “malamti” Sufi, one who took pride in the “malamat” or “shaming” he was subjected to. He stood against the the political and religious establishment in support the common people. He identified himself with the julaha (weaver), the chuhra (sweeper) and the faqir. He associated with rebels like Dulla Bhatti who stirred peasant rebellions against the Emperor Akbar. His poetry reflected the folk rhythms and idiom of everyday Punjabi.

Shah Hussain was a rebel in another way. Unlike the male poets of his day who used the feminine voice (rekhti) to express the “feminine” emotions of grief and anguish, Shah Hussain wrote in the feminine voice to acknowledge and express his own self as a gay man.

If Shah Hussain’s love was transcendent, it was in the earthly sense of overcoming distinctions of class, gender, creed and sexual orientation. He belonged to no sect or lineage other than humanity’s.

Kafi 131

Swaying in ecstasy play on in the inner yard, all is near to those meditating
Rivers flow in this yard, thousands of millions of boats
Some are seen drowning, others have reached the shore
This yard has nine doors, the tenth is locked shut
No one needs to know, from where my lover comes and goes
This yard has a pretty curve, a hollow in the curve
I spread my bed in the hollow to love my lover at night!
A wild elephant in this yard, is struggling with the chain
Says Hussain the Beggar of His Beloved, (the elephant) is teasing the awake

(Trans. Fauzia Rafique)

Jhume jhum khaid lai munjh vehRay, japdeyaN nooN hur naiRay
Vehray de vich nadiyaN vagan, baiRay lakh hazar
kaiti iss vich Dubdi vekhi, kaiti langhi paar
iss vehRay de nauN darvazay, dusswaiN qulf chuRhai
tiss darvazay de mehram nahiN, jit shauh aaway jai
vehRay de vich aala soohay, aalay de vich taaqi
taaqi de vich sej vichaawaN, apnay pia sung raati
iss vehRay vich makna haathi, sangal naal khahaiRay
kahe Hussain Faqir SaeeN da, jagdeyaN kooN chehRay

 

 

[1] A kafi is a lyric poem of four to ten lines.

 

 

 

 

 

 

 

 

 

‘Nasreen Anjum Bhatti Ke Leeye – For Nasreen Anjum Bhatti’ a poem by Amna Buttar

‘I read the story and frankly I don’t see a point to it. Her poetry tells her story poignantly and eloquently. This story is more like yellow journalism and is demeaning to the legend called Nasreen Anjum Bhatti.’

Amna Buttar
.

نسرین انجم بھٹی کے لئے

میرا اندر اور میرا باہر
سب تمہارا ہے
میں نے اپنے آسمان کو
اور
اپنے پاتال کو
الفاظ
کے موتیوں میں
پرو کر
تمہارے گلے میں مالا ڈال دی ہے
سوئمبر تو نہیں تھا
مگر پھر بھی
بس اتنی_ بنتی ہے
تم سے
میرا بھرم رکھنا
.

Nasreen Anjum Bhatti Ke Leeye
By Amna Buttar

Mera andar aur mera bahir
sab tumhara hai
main ne apnay aasmaan ko
aur apnay pataal ko
ilfaaz ke motiyon main pro ker
tumharay galay main mala Daal de hai
soimber tau nahin tha
magar phir bhi
bus itni beenti hai
tum se
mera bharm rakhhna
.

Amna Buttar is a poet and politician who works as a physician with New York University (NYU).

Amna wrote this poem after reading a story recently published and launched in Lahore that attempts to degrade and demean the Late Punjabi author Nasreen Anjum Bhatti and others. View details at the link below:
uddari.wordpress.com/2018/01/15/thinfest-promotes-gutter-literature-in-punjabi
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Thinkfest Promotes ‘gutter literature’ in Punjabi

Thinkfest 2018 chose to promote a sub-standard work on the life of Punjabi author, radio artist and arts activist Nasreen Anjum Bhatti. There was an intense demonstration of solidarity with the late author by people who were there to protest against this choice.

Nasreen Anjum Bhatti reads from her first collection of poetry ‘Neel Karayaan Neelkan’.

The aware Punjabi writers and artists have described the story as ‘yellow journalism’, ‘tabloid literature’, and, of course, ‘gutter literature’.

The text proceeds to carry out ‘character assassination of progressive Punjabi writers such as Nasreen Anjum Bhatti, Shaista Habib, Zubair Rana and Fauzia Rafique’, and it does so in a misogynistic, homophobic and degrading manner. The story is penned by Nain Sukh aka Khalid Mahmood in his book called ‘ayi buray de wa’. The so-called story is a collection of inaccuracies where there are as much as FIVE factual mistakes in FOUR lines of text- about one of the writers attacked who, incidentally, is still alive to point them out.

Uddari fully supports Naeem Sadhu, Lahore’s Feminist Collective, and other individuals and organizations that are getting together to stop this attempt to legitimize yellow journalism as literature, and to resist this onslaught of conservative patriarchal mindset that demeans and degrades women, lesbians, gay men and religious minorities.

Down with the erstwhile ‘friends’ who are promoting and supporting this abusive and filthy text, and who are insisting that it should be accepted as Punjabi literature.

Fauzia Rafique
https://gandholi.wordpress.com/
frafique@gmail.com

Also view
‘Nasreen Anjum Bhatti Ke Leeye – For Nasreen Anjum Bhatti’ a poem by Amna Buttar
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Dhahan Prize 2017 Awards Ceremony – November 4 – UBC Vancouver

Pargat Singh Satoj won this year’s Dhahan Prize for Punjabi Literature for his novel Khabar Ik Pind Di (News From A Village), with Co-finalist Ali Anwar Ahmad for his short story collection Tand Tand Maili Chaadar (Filthy Chador (Sheet)) and Nachhattar Singh Brar for his novel Kaagzi Viaah (Paper Marriage).

As well, this year, DhahaN prize has begun Youth Awards for short stories written by grade 11 & 12 students of British Columbia. Stories are submitted in Punjabi and translated into English in order to build ‘bridges between communities and cultures.’

Post-ceremony reception with winning authors
Saturday, November 4, 2017
7:00 PM – 11:00 PM PDT
Robert H. Lee Alumni Centre, UBC
6163 University Blvd.
Vancouver, BC V6T 1Z1

More information about the event
eventbrite.com/e/dhahan-prize-2017-awards-ceremony
Visit Dhahan Prize website
dhahanprize.com/news

Contact The Dhahan Prize
1058–2560 Shell Road
Richmond, BC V6X 0B8, Canada
+1 604 831 6831
contact@dhahanprize.com
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