Dhahan Prize for Punjabi Literature – 2013 to 2020

In 2013 when Dhahan Prize was in the process of being established in Vancouver, I saw it as a progressive and uplifting force for Punjabi literature and language. It was a happy occasion for me when Anne Murphy (University of British Columbia, Asian Studies) and Barj Dhahan (Canada India Education Society), the two initiators, accepted my definition of ‘Punjabi’ to then include Shahmukhi writers, representing 60% of the World’s Punjabis, to be eligible for the Prize. I facilitated it by providing contacts in the Pakistani Punjab, and by serving on the inaugral advisory committee in Vancouver. My appreciation to Barj, Anne, Harinder Dhahan, and many others for their accomplishments and contributions in pulling it together. Indeed it is the only literary award that offers meaningful monetary reward to fiction writers of both Gurmukhi and Shahmukhi scripts residing in Pakistan, India and the Diaspora- a beautiful placement for community building in our literary landscape!

In seven years, however, that vision, that hope, has been consistently eroded by the political and social interests guiding Dhahan Prize, and now, the project has become more of a conservative push that further debilitates our literary environments with money and undue influence leading to the formation of cliques (‘narrow exclusive circles’, mw) in both India and Pakistan. It seems that the prize structure follows regressive systemic values where personal likes/dislikes and clan-based interests guide literary decisions. It is interesting, for example, that in seven years, not a single Shahmukhi writer, or a woman writing in either script, was allowed to win the main prize.

I also know that Dhahan Prize is not the only one employing discriminatory values and structures to get desired results, that all literary prizes, more so the big ones, operate on similar basis. For example, we see here in Canada and the USA that most big prizes are awarded to straight middle class white men, protecting the systemic values of racism, sexism, class privilege and homophobia. That it may take years of lobbying, bribes, favors and/or public pressure for someone to win a Sitara-e-Imtiaz in Pakistan or a Sahitya Akademi Award in India, and, that the more ‘outstanding’ talent may never get either. That the Nobel is only awarded when it serves the political interests of the so called ‘Western’ governments. Periodically and as needed, exceptions are made to save the credibility of a program, to increase its profits or to enhance its influence.

Knowing this, why did i expect this prize to be any different? The unique possibility with Dhahan Prize is its physical location where it does not have to work with or through the bureaucracy or the politics of either of the governments of the Punujab. They are independent of the social, religious and financial constraints and limitations of both India and Pakistan. In so being, the Dhahan Prize is in the very best position to build non-discriminatory, non-prejudicial, democratic structures that can spearhead the nurturement of leading-edge literature in Punjabi; to provide a pathway for authors tackling themes tabooed by prevalent South Asian value systems, and to support authors coming from historically disadvantaged groups. But would they or can they do it? I hope that the Dhahan Prize recognizes this as the unique opportunity it is, and resolve to do different and better instead of adding more of the same to an already toxic mix.

I was distraught last year to find that in their media releases and events, the Dhahan Prize stage was repeatedly handed over to an English language fiction writer of Punjabi origin- in the presence of three (of their own) award winning authors. It made me feel disrespected as a Punjabi writer, and in my small way, i responded by changing the emphasis of their media release by choosing another photo and rearranging the text in my event information post on Uddari, and, by participating in the discussion in one of the events. I wonder if, like many others in our community, the organizers also are inwardly ashamed of Punjabi writers writing in Punjabi.

Earlier this year, when i was submitting my novella Keerru to Dhahan Prize, i asked Maqsood Saqib (Pancham and Suchet Kitab Ghar) who had published his second short story collection, if he had submitted it. His first collection, containing the story ‘Pappu’, is a tone-setter for the narrative of modern short fiction in Shahmukhi. He hadn’t; i asked him why not, and he said something like: ‘literature is not written to win prizes’, and i said, yes indeed it’s not but if a book is already written and there’s a prize then why not submit it. He did not agree. This points to another discomfort. If authors are asked to submit to the prize themselves, not only that it sets up a relationship of ‘patronage’ with the prize but it also means that works by authors such as Saqib, and now myself, will stay out of Dhahan Prize’s lists. I don’t know how in the long run, this ongoing process of ommission will serve Punjabi literature, language or culture.

This is sad, and at this rate, within the first decade of its existence, Dhahan Prize will become well known for generously rewarding mediocrity and opportunism in Punjabi literature- instead of encouraging excellence and ingenuity.

Earlier this month, my novella ‘Keerru’ was shortlisted for Dhahan Prize but I hesitate to accept it as a compliment or to take it as a credit. My work does not need to be endorsed by compromised juries working through processes marred by favoritism and personal career agendas. I would rather continue with my walk.

Photo by Hafsah Durrani

Fauzia Rafique
Surrey BC
October 18, 2020

Novella ‘Keerru’

Gurmukhi ebook

Shahmukhi : Sanjh Publications, Lahore

Urdu ebook

Novel ‘Skeena’

Shahmukhi, Gurmukhi and English Editions
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‘Why the Azaan Should Not be Broadcast over Loudspeakers’ by Omar Latif

: Jamia Masjid, Vancouver, the azaan was broadcast over loudspeakers for the first time in its 112-year history – photo from 30 Masjids dot ca

TO HELP PRESERVE SECULARISM
TO HELP PREVENT ISLAMOPHOBIA

It began with broadcasting one azaan call-for-prayer for one of the five daily prayers during the month of Ramzan at one mosque in Toronto. Within days, the practice spread to many cities – Mississauga, Brampton, Milton, London, Edmonton, Calgary, Vancouver, and, Surrey – at the last count. One cleric has already said that he would like the azaan to be announced over loudspeakers for all five prayers, throughout the year!

If this was to remind Muslims about the time of prayer, it must be pointed out that Muslims and, for that matter, Jews, Christians, Hindus, Sikhs and Buddhists, have all been saying their prayers at home or in their places of worship at prescribed times for hundreds of years without the call-to-prayer being announced from loudspeakers. And how, it was asked, would Muslims know the time of the other four daily prayers if the azaan was sent out over loudspeakers only once a day?

The rationale changed: Muslims couldn’t gather in mosques during their holy month of Ramzan due to Covid-19 and would find solace when they heard the azaan over loudspeakers. But, it was pointed out that the overwhelming majority of Muslims lived too far from any mosque to hear it! And what about believers of other religions who couldn’t congregate on their holy days either, for instance, Christians weren’t able to get together on Good Friday this April 8 or Jews during Passover from April 8-16? By that logic, shouldn’t religious invocations for all believers of all faiths be relayed over loudspeakers to provide them comfort during the lock-down? Would that cacophony calm jangled nerves and create harmony among people, or create greater stress and resentment against each other?

Is the push for the broadcasting of the azaan over loudspeakers coming from Muslims as a whole? According to Canada’s 2011 National Household Survey, there were a total of 1,053,945 Muslims in Canada – perhaps a total of 1,000,000 adult Muslims currently. Of these, only a small minority says any prayers, much less the daily five. Only a fraction of this small minority goes to mosques to say their prayers, and that too mainly for the Eid or for Friday noon prayers. Anybody can see for themselves how empty mosques are at other prayer times.

The push for the azaan over mosque loudspeakers is not coming from all Muslims but from a small number of Muslim clerics, mainly Sunni, mainly conservative. Some Muslims, thinking that the loud call to prayer demonstrates the power of Islam, or makes it more appealing, also support this idea. However, they are sadly mistaken.

Who has allowed these organizations to over-ride the local noise by-laws? Mainly mayors and municipal councillors from mainstream parties but, unfortunately some progressive ones too, who in return, want to use such organizations as sources for funds, volunteers and ‘vote banks’ at election time.

The broadcasting of the azaan over loudspeakers hardly serves the purpose of reminding Muslims of prayer times or for providing solace during the lockdown in Ramzan since reminders on watches, computers and cell phones would work better. In reality, it appears that this move is a flexing of muscle by conservative Muslim clerics and organizations who are on their way to play a larger political role in society; clerics and organizations who have us believe that they speak on behalf of one, monolithic, undifferentiated, Muslim ummah (nation).

What they are aiming for, a wish NOT shared by ALL Muslims, is to increase the influence of religion and religious values in public life; of views that do not support equality of women with men, views that are against secularism, choice, same-sex partnerships, evolution and other rational and scientific ideas such as, for example, the causes and cures of epidemics and other natural disasters like droughts, hurricanes, floods, earthquakes.

Public pressure has done away with Catholic School Boards in all provinces, and it demanded the same in Ontario in favour of one, secular, public education system for all. Contrary to the will of the people, these clerics push for publicly funded religious schools. It was only after a long struggle that the Lord’s Prayer and other overtly Christian teachings were ended in public schools. These clerics will push for more insertion of religious teachings in public schools. Far fetched? Can happen only in countries of the global south? Just look at what has happened in the US in a few decades!

Over the past four decades, the mainstream parties, at all levels, have enabled the de-regulation of big business, the lowering of taxes on large corporations, the whittling down of social programs, the weakening of labour laws, and the increase in the huge gap between the 1% and everyone else. They have supported militarism and wars, many are being fought against Muslim countries. They have backed Israel in its harsh and unjust treatment of the Palestinian people. None of this matters to these conservative Muslim clerics who are interested only in advancing their narrow, sectarian agenda.

The parties of big business will rely the more on conservative religious forces, of all religions – because they do not acknowledge the impact of privilege, disregard class analysis, the importance of trade unions, instead teaching submission and acceptance by the have-nots of the existing unjust economic structures since privilege and poverty are ordained by God, where justice and fairness is to be found not here but in the hereafter – the more the struggle for social justice grows.

Is the denial of the use of loudspeakers to broadcast the azaan a denial of the right of freedom of belief of Muslims? No it isn’t. First of all, a small minority wants this ‘right’ and only a fraction of this minority will actually hear the azaan. But the main point is that Muslims will still have the right to say the azaan so long as its sound remains within the confines of their prayer halls, and others outside, are not compelled to listen to it. Public complaints have put a stop to the pealing of church bells in many areas. It should be stopped everywhere.

The broadcasting of the azaan over mosque loudspeakers is another intrusion of religion into public space. If it takes hold, other religions inevitably will want to broadcast their chants, bells, hymns etc. over loudspeakers too. The right to religious freedom should be supported as long as it is not socially harmful or a bother to others. Prejudices like Islamophobia and anti-Semitism must be fought but religion whether Islam, or Christianity, or Hinduism or Judaism or Sikhism, should be a personal matter. The separation between state and religion should become more, not less, sharp. Canada should become more, not less, secular.
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Omar Latif is a Toronto activist who has been a long-time member of the Committee of Progressive Pakistani-Canadians and of the Communist Party of Canada. This article is based on his personal views, not on those of the CPPC or of the CPC.

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Uddari Weblog is published from
the unceded Coast Salish territories of
the Semiahmoo, Katzie, Kwikwetlem, Kwantlen,
Qayqayt, Tsawwassen, Musqueam,
Squamish and Tsleil-Waututh First Nations.

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Punjabi Monthly magazine PANCHAM becomes a Quarterly publication


Quarterly Pancham, Jan-Feb-March 2020
Eds. Faiza Raa’na & Maqsood Saqib

Lahore’s longstanding literary Punjabi magazine, Pancham, makes a smart move to become a quarterly after a prolonged struggle to be a self-reliant monthly publication. This may allow for a larger selection and even richer literary content.

Pancham publishes poetry, fiction, literary criticism and non fiction. Edited and published by renowned authors Faiza Raa’na and Maqsood Saqib, it has been recognized as being the best literary Punjabi magazine in both the East and the West Punjab.

Published in the Shahmukhi script since 1998, Pancham is a continuation of Maan Boli, a magazine that was brought out from Lahore by some of the same team leaders and members that had continued publishing from 1986 to 1997. For more, connect with the Pancham community on Facebook:
Pancham Sulaikh SaNg (Punjabi Literary Group)

Yearly Subscriptions
Pakistan RS1000
India RS1000
International US$20

To subscribe, contact Maqsood Saqib at
+92 306 1679936
suchet2001@yahoo.com
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Uddari Weblog is published from
the unceded Coast Salish territories of
the Semiahmoo, Katzie, Kwikwetlem, Kwantlen,
Qayqayt, Tsawwassen, Musqueam,
Squamish and Tsleil-Waututh First Nations.

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Gurmukhi edition of Fauzia Rafique’s new novel ‘KEERRU’ now available

B&W photo by Danyal Rasheed, inset painting by Shahid Mirza
cover design by Mariam Zohra d.

From the Author of Skeena- a ‘little big’ book

ebook
ISBN 9780463342541

Available Everywhere
USA & the World: US$4.50
Canada: CA$4.50
India: INR101.00
Pakistan: PKR101.00

Instant Downloads
smashwords.com/books/view/1012167

‘The story of broken families, lovers, immigrants.
Five people come together in Surrey BC to
form powerful connections with each other, and
to tell a story that has rarely been told.’

Purple Poppy Press 2020, Vancouver, Canada

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Shahmukhi edition
Paperback
ISBN 978-969-593-315-2
PKR300.00
Sanjh Publications 2019, Lahore Pakistan
sanjhpk@yahoo.com
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17th Annual International Mother Language Day – Surrey BC – February 23

PLEA cordially invites everyone
to come and be part of the annual celebration of
our mother tongue Punjabi.

17th Annual International Mother Language Day

Sunday, Feb. 23, 2020
Time: 1:30 to 4:00 pm

Spruce Building Atrium
Kwantlen Polytechnic University (KPU)
(12666 72 Avenue, Surrey)

Discussions on Ongoing efforts to promote Punjabi Language education in BC
Young Punjabi learners will share poetry, songs and stories
PLEA will honour individuals for their role in promoting Punjabi language education.

Free Event. Refreshments.

PUNJABI LANGUAGE EDUCATION ASSOCIATION (PLEA)
In partnership with
DEEPAK BINNING FOUNDATION
and
KWANTLEN POLYTECHNIC UNIVERSITY (KPU)

For more information Please contact
Balwant Sanghera – 604-836-8976
Sadhu Binning – 778 – 773 – 1886
Paul Binning – 778-889-8255
ਪੰਜਾਬੀ ਲੈਂਗੂਏਜ ਐਜੂਕੇਸ਼ਨ ਅਸੋਸੀਏਸ਼ਨ (ਪਲੀ)
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Call for Papers: Baisakhi 2020 & International Conference – The Future of Punjab Culture: Awaken or Perish!


Call for Papers
Institute for Art & Culture
Baisakhi 2020: International Conference
The Future of Punjab Culture: Awaken or Perish!

The Institute for Art and Culture (IAC) will be holding a conference on Punjab culture on April 10-11, 2020 and Baisakhi Mela on April 12, 2020. Please review the attached conference brochure in order to acquaint yourself with the motive, philosophy, and goals of the conference. The conference seeks high quality papers on Punjab’s history, culture, arts, politics, and heritage which could be part of the following sessions of our conference program:

Contemporary Topics in Punjab’s Art & Culture
Punjab’s Cultural Heritage: Politics & Politicians
Punjab: Historical Perspectives/Narratives 2500 B.C.E—Present
Punjab Culture & Art: Future Prospects & Strategies
Keynote Speaker: Mushtaq Soofi

The conference is open to academics, artists, writers, activists, intellectuals, politicians, students and media and legal professionals—anyone interested in contributing towards the dialogue on Punjab’s culture and art. Please note that no paper will be considered without the submission of a paper abstract (300-350 words).

Important Dates
Abstract Submission Deadline: February 15, 2020
Full Paper Submission Deadline: March 15, 2020

Please email the abstract to naveed.alam@iac.edu.pk We shall inform you about the selection of your abstract by March 1, 2020. The paper can be read in English or Punjabi.

Conference Patron
Prof. Sajida Haider Vandal
Vice Chancellor, Institute for Art & Culture
Conference Convener
Prof. Pervaiz Vandal
Pro Vice Chancellor, Institute for Art & Culture
Conference Secretary
Prof. Naveed Alam
School of Culture & Languages (SCL), Institute for Art & Culture

Contact Us
Naveed Alam
naveed.alam@iac.edu.pk
Bilal Mushtaq
bilal.mushtaq@iac.edu.pk
0323-417-3363
Noor-ul-Huda
noori_huda@hotmail.com

Download PDF Files
Baisakhi 2020 call for papers
flyer english and punjabi
gurmukhi-flyer

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Uddari Weblog operates from the
unceded Coast Salish territories of
the Semiahmoo, Katzie, Kwikwetlem, Kwantlen,
Qayqayt, Tsawwassen, Musqueam,
Squamish and Tsleil-Waututh First Nations.
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2019 Dhahan Prize Awards Ceremony – Vancouver November 2nd

‘Kon’ Who, novelette by Mudassar Bashir

Saturday November 2, 2019
Robert H. Lee Alumni Centre, University of British Columbia
Doors open at 6:00, ceremony begins at 7:00
Followed by a catered reception
Download PDF Poster

 

First prize : Jatinder Singh Haans
(Aloona Tola, Punjab, India), short story collection, title in translation ‘Jyona satch, Baqi Jhoot’ Living is Truth, All Else is a Lie.
Finalist, Shahmukhi : Mudassar Bashir
(Lahore, Punjab, Pakistan), novelette, ‘KonWho.
Finalist, Gurmukhi : Gurdev Singh
(Rupana, Punjab, India), short story collection, title in translation ‘Aam Khaas’ Ordinary Extraordinary‘.

‘In 2014, the Dhahan Prize took flight, and in 2019 we return to recognize the achievements of Punjabi writers at our 6th annual event. For work in the Punjabi scripts of Gurmukhi and Shahmukhi, this prize recognizes one outstanding writer with a $25,000 award, as well as two finalists with awards of $10,000. Forging meaningful relationships with writers, community organizations and educational institutions in Pakistan, India and the diaspora, the Dhahan Prize is the world’s signature prize for Punjabi literary works.’

The Keynote Speaker is Balli Kaur Jaswal, an award-winning author of four novels, including ‘Erotic Stories for Punjabi Widows’.

Tickets can be purchased at
https://dhahanprize2019awardsceremony.eventbrite.com

More information
The Dhahan Prize
1058–2560 Shell Road
Richmond, BC V6X 0B8 Canada
contact@dhahanprize.com
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Being Punjabi – Fauzia Rafique Collection at the Museum of Surrey

My stuff gets a wholesome exposure at the Museum of Surrey’s community curated exhibition titled ‘Being Punjabi: Unfolding the Surrey Story’ (October 2 – February 23). The above showcase includes the original poster released by Sanjh Publications in Lahore at the launch of Punjabi Shahmukhi edition of Skeena in 2007, a flyer that lists Lahore Press Club as the venue for Skeena’s first launch that was disallowed by the Club’s administration a day ahead of the event, the complete audio of Skeena in Punjabi recorded in my voice by Lahore Chitrkar in 2007 that has never been released, and a letter-size poster of Skeena’s 2011 English edition by Surrey Libraries.

Among the installations showcasing different items from sixteen local Punjabis, the above are some things i like and use. The item on the top left is a wall hanger i made for my son when he was younger. It uses very desi Punjabi feeta trimming from a worn out set of pillow covers my mother gave me, leftover green susi cloth from Sindh, a patch of black with red and white embroidery from an Indian skirt i bought from India Bazar in Toronto’s East end, and, it uses ceramic and glass beads from Lahore, Toronto and Vancouver.

A passage from Skeena, in English and Punjabi Gurmukhi.

‘The first Punjabis came to Canada in 1897. Today Surrey is home to over 100,000 Punjabis. This exhibit presents a selection of local Punjabi voices using written word, audio recordings, video, artifacts, art and images. Being Punjabi is the first exhibition in Canada to highlight Surrey’s Punjabi community, showcasing stories of both struggle and success. It is meant to begin a conversation.’ surrey.ca/culture-recreation

Fauzia Rafique
October 6, 2019
Photos by Hafsah Durrani

Uddari Weblog operates on the unceded Coast Salish territories of the Semiahmoo, Katzie, Kwikwetlem, Kwantlen, Qayqayt, Tsawwassen, Musqueam, Squamish and Tsleil-Waututh First Nations.
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Gurmukhi edition of novel ‘Skeena’ now available in India and Canada

Sangam Publications, Patiala 2019

Novel ‘Skeena’ by Fauzia Rafique has been published in Gurmukhi by Sangam Publications in Patiala, India, and it is now available at India Bookworld in Surrey’s Payal Centre. Script conversion from Shahmukhi to Gurmukhi has been performed by Harbans Singh Dhiman.

ISBN 978-93-5231-317-4
India Bookworld, $15
604-593-5967
info@indiabookworld.ca
Sangam Publications, India
sangam541@gmail.com
01764-501934

Punjabi novel ‘Skeena’ was first published in Shahmukhi by Sanjh Publications in 2007 in Lahore, where to date, it is Pakistan’s most sold Punjabi novel. Its English edition and a limited Gurmukhi edition came out in 2011 with Libros Libertad in White Rock. The Shahmukhi to Gurmukhi conversion and editing was done by poet/author/translator Surjeet Kalsey in consultation with Fauzia Rafique. The novel has also been recognized as one of the ‘100 Must Read Books by Punjabi Authors’ in ‘Legacies of the Homeland’ (Notion Press, Chennai 2018).

Visit Skeena web page
novelskeena.wordpress.com
Read reviews on ‘Skeena’
novelskeena.wordpress.com/reviews

Uddari Weblog operates on the unceded Coast Salish territories of the Semiahmoo, Katzie, Kwikwetlem, Kwantlen, Qayqayt, Tsawwassen, Musqueam, Squamish and Tsleil-Waututh First Nations.
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2019 Dhahan Prize Youth Award for Creative Writing – March 14 Surrey

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You are cordially invited to
The Dhahan Prize launch of
The 2019 Youth Award for Creative Writing
8 PRIZES VALUED AT $500 EACH
Thursday, March 14th
10:30-11:30 a.m.
LA Matheson Secondary School, Surrey
9484 – 122 Street, Surrey V3V 4M1

The event will host speakers including:
The Principal, teachers, and students of LA Matheson Secondary School
A representative of sponsoring partner, Coast Capital Savings
Founder of the Dhahan Prize

Snacks and Refreshments will be served

For more information, visit
dhahanprize.com/youth

Download PDF poster:
Dhahan Prize – 2019 Youth Prize Invitation
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Drums of Change: A Review of Fauzia Rafique’s The Adventures of SahebaN

‘Want a book that’ll change you? Let me be the first to recommend @RafiqueFauzia ‘s “The Adventures of SahebaN” an incredible tale that had me laughing until I wept. Read my review at the link below and you’ll see what I mean.’ Jessica Barrett

An amazing out-of-the-blue review by Jessica Barrett of my novel ‘The Adventures of SahebaN’ posted to twitter this morning. Thank you @JessicaBarratt
“SahebaN is the feminist warrior I hadn’t realized I was missing.”
“Rafique has succeeded in creating a feminist commentary that no audience is safe from.”

WordsofHers

Being a Canadian woman writer of European descent, I came into Fauzia Rafique’s The Adventures of SahebaN without background knowledge of the role (Mirza) Sahiba plays in much of traditional Punjabi culture. The beauty of Rafique’s text however, is how my lack does not impact my understanding of how the narrative turns a cultural model for perfection (Sahiba) on her head to showcase the flaws of that very perfection, and (in particular) to show that a woman can be honourable, and pure, and loyal, without bowing to the restrictive ideas and expectations that society and religion place upon her.

View original post 505 more words

PLEA Presents the 16th Mother Language Day on February 23 at KPU Surrey

You are warmly invited to participate in the 16th celebration organized by Punjabi Language Education Association (PLEA) on International Mother Language Day.

This year’s event will take place at
Kwantlen Polytechnic University (KPU)
Surrey Campus, Cedar Building Atrium
Saturday, February 23, 2019 – 1:30 p.m.
Free parking, light refreshments

Download English and Gurmukhi Punjabi posters
PLEA Feb.23,2019.PosterUni
PLEA Feb.23,2019.Poster.Eng

For more information, contact
Sadhu Binning at 778-773-1886
Balwant Sanghera at 604-836-8976

PLEA’s Facebook group page
facebook.com/groups/PunjabiLanguageEducationAssociation
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Welcome Author/Publisher Parveen Malik to Vancouver – Dhahan Prize 2018 Events

This year, as part of the celebrations of Dhahan Prize for Punjabi literature, Pakistan’s renowned author, poet and publisher Parveen Malik will be visiting Vancouver. ‘Parveen Malik is a writer of fiction, teleplays and radio programs; a known literary personality on radio and TV; and, a highly respected publisher of Urdu and Punjabi literary books.’ More about Parveen is here: parveen-malik-punjabi-maanboli-writer

Parveen will participate in ‘Afternoon with Winners and Finalists’ on Sunday October 21st at Crossroads United Church in Surrey.
View the details in the poster below.

The main Dhahan Prize 2018 Awards Ceremony will take place on:
Saturday October 20th
6:00 PM – 9:30 PM, at:
Robert H. Lee Alumni Centre
UBC, 6163 University Blvd
Vancouver, BC V6T 1Z1
More information:
eventbrite.com/e/dhahan-prize-2018-awards-ceremony

Uddari congratulates the 2018 Dhahan Prize winners:
Baldev Singh Sadaknama for ‘Sooraj Dee Akh’ (Sun’s Eye), historical fiction.
Nasir Baloch for ‘Jootha Sacha Koi Na’ (Anything Goes), short story collection.
Harpreet Sekha for ‘Prism’, short story collection.
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Meet a Peoples’ Poet Laureate – Baba Najmi in Surrey July 7

Baba Najmi, a Pakistani Punjabi poet who has gained the stature of a Peoples’ Poet Laureate in the Punjab, is visiting the Diaspora this July.

Baba Bashir Husain Najmi was born in Lahore in 1948. He has published three poetry books: ‘Akhran Wich Samundar’ Ocean in Words (1986), ‘Sochan Wich Jahan’ World in Thoughts (1995) and more recently, ‘Mera Naan Insaan’ My Name Human. He is a labourer, a trade unionist and a poet who distinguishes himself from others by challenging regressive laws, rules, cultural values and political entities. He is revered by many Punjabis in India, Pakistan and the diaspora. He has won many award. A statue of him has been installed in Jalandhar to recognize his poetic peace efforts between India and Pakistan. Visit Baba Najmi’s Facebook page: facebook.com/PoetBabaNajmi. Below are the details of his July 7th appearance in Surrey

Beyond the boundaries; An event with Great poet Baba Najmi
When: SATURDAY. JULY 7, from 1.30 – 4.30 pm
Where: Crossroads United Church 7655 – 120 St, Delta, BC
Tickets: Only $10.00

Organized by
The Committee of Progressive Pakistani Canadians (CPPC), Vancouver Chapter.

Program presented in Association with
The Dhahan Prize for Punjabi Literature, Centre for India and South Asia Research UBC and Tarksheel (Rational) Society of Canada.

Supported By
Indo Canadian Workers Association (Brampton & Vancouver), Punjabi TV Show, ‘Mehak Punjab Di’, Progressive Arts Club, Surrey.

Facebook event page
facebook.com/events/

For more information and RSVP, contact:
Saif Khalid at 604-889-0233
Avtar Gill at 604-728-7011

Additional Events: Updated July 4, 2018

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‘Legacies of the Homeland – 100 Must-Read Books by Punjabi Authors’ – Paramjeet Singh

Legacies of the Homeland
ISBN: 978-1-64249-423-5
Paperback
28-03-2018
Order it at the link below:
notionpress.com

‘Legacies of the Homeland’ is a pleasant new resource that introduces Punjabi literature to the English reader by listing the top one hundred books in autobiography, novel, poetry, plays and short story collections. The selection process required that each book be also available in English, and this has kept many worthy authors from being a part of it yet one can get a strong and clear picture of the body of literature that this book represents.

Paramjeet Singh

As is apparent from the title, the collection’s primary aim is to engage the diaspora, and it does that very well. Author and Editor Paramjeet Singh has developed a much-needed and timely resource for a growing Punjabi readership and for the ever increasing number of authors, teachers, researchers, art lovers and students of Punjabi language and literature in the diaspora. As well, it strengthens the stream started by Dhahan Prize for Punjabi Literature that began to offer each year a substantial award to Punjabi fiction writers regardless of their geographic locations, belief systems and favored scripts. Both serve the Homeland by asserting the Diaspora, both assert the Diaspora in serving the Homeland, and both attempt to bring the two together.

These are forceful interventions, it is possible that there be some negative outcomes or reactions to them but in large part all such projects provide a strong uplift to Punjabi language, literature, art and culture at the local and global level as they must by nature defy narrow constraints of nationality, religion, gender, race, and even the barriers of scripts and languages. In that, it is our hope that we can nurture an atmosphere of open-mindedness, discussion and interaction among different communities of Punjabis to enjoy all benefits that these robust processes may yield.

I am honored that ‘Legacies of the Homeland’ counts my first novel ‘Skeena’ as one of the top 100 must-read Punjabi books.

Fauzia Rafique
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